So we have a Livestream on Twitch. Didn't know if you knew that. Not many do, but those that do have been entertained quite well for the 14 episodes we've been running. You can find us HERE on Twitch, and 2 weeks behind up on YouTube, and, if you're a patron of our podcast (of any tier), you have access to the whole show in podcast form (soon with theme music and behind-the-scenes chatter pre- and post-show).
The Livestream itself is classic D&D adventure time for 90-minutes set in my custom world of Io-Empyr (the fifth age of my interwoven timeline), and features steampunk airship combat, sky pirates, floating cities, and dangerous foes from the Shadowfell and the Feywild as they vie for control of the skies. The show is called Cloudsinger, and features a rag-tag 4-person party of awesome adventurers attempting to trust one another as they navigate this high-flying world, all while dodging their various pasts, new enemies, and alarming secrets.
It's freaking awesome.
The experience itself marks the 6th campaign that I run weekly, and there's something very unique about running an adventure online in front of a digital audience; for the DM and for the players. My partner in podcast crime, John (Solomon Blackedge in the campaign), put it best: we're "accidentally professional." Everybody brings something unique to the table, and we run the gamut from REALLY experienced tabletop players to players just working through the main mechanics; we're patient with each other, celebratory of our successes, flabbergasted by our secrets, and no one metas too hard. We know others are watching, so we try to bring our best selves every time...and it's always an absolute BLAST.
I am always appreciative of this particular screen grab: Adam in disbelief, Jenn laughing but disgusted, John owning his live role-playing, and Lisa's just watching it all with a mask of utter apathy. Professional D&D players, everybody. ;)
Now, none of us are brand-spanking new, and we all follow a distinct mission here at Questers' Way Game On: to become our best selves through gaming. So, I thought it fun to take a look at the standard of play that I hold my Game Mastering to, and how it changes and levels up when you bring it to the Livestreaming Stage. ...Because it certainly changes things.
Clear, Consistent, Mechanical Rulings
The internet can be an unforgiving place. I've had my fair share of trolls on the internet, but D&D fans can be a little...possessive of the thing that they love so much. Critical Role isn't perfect on rulings, and they even bring it up as a defense: they're far from paragon players, and part of the fun is making mistakes.
For me especially, with custom rulesets for airship combat, special weapons, home-brewed monsters, whatever thing I bring up - I'm keen to explain my reasoning for its existence, and then play it through. In that case, if I reflect and find something does not work the way I wanted it to, I have to let my players know AND my audience online know if I change it and why. Now, upon writing this practice down, my brain screams: "Well, DUH" and this is because ANY campaign benefits from this practice, online or off, but online it is an absolute necessity. Rule and mechanic transparency is essential to keep the audience in the loop; in a way, they're playing too. :)
Always Moving, Even When Standing Still
Pacing can sometimes be tricky, regardless of the campaign. No person can be on-point all the time, and no party will be pushing for plot every session...and that's a great thing. Action can happen without "action." Character development is just as powerful and entertaining (sometimes moreso) than any fight. Sometimes the audience needs rest, too, and these key moments of "still movement" keep the characters growing and the audience involved. As a DM, don't be afraid of them. This is a group story, and few stories are one fight all the way through (and still entertaining).
Audio Setup Needs To Be Simple and Clean
We started the Livestream utilizing an online tabletop music resource called tabletopaudio.com. This is a copyright-free audio site where each audio segment lasts ten minutes and can be pieced together into a pretty solid playlist. ...However, with enough technical elements through the iPad (my main interface to save space in our setup), we had to abandon it. Still a great resource that you can find HERE.
Moving forward, we're hitting this on three fronts.
1) I've returned to Syrinscape. This an app available on mac or pc systems that is chock full of sound sets, music, and sound effects to help with your overall atmosphere and immersion. I did a review awhile back about how I found their music to be less than satisfactory, and opted out. I have since grown up a bit and I love that it's all copyright free. That's the big deal here. Plus, the interface doesn't take much to get used to, so I'm pretty pleased overall.
2) I'm writing music for this campaign. No joke. I write music, I've published two albums, had works premiered with live orchestras - I got this. It's a bit of work, but it's going to add something truly special to Cloudsinger that sets it apart from the rest of our weekly campaigns. If you care to take a look at my old stuff.
3) Cross-chatter needs to be at an absolute minimum. This is a theater thing: if everyone is mic'ed, then everyone can hear EVERYTHING you are saying, even if it's a funny joke you just thought of. Sharing is okay, but the timing needs to be clear. We're not going to talk over each other because A) that's rude, and B) it overloads the recording with essentially white noise. The dudes on Critical Role are respectful because they're good people, but also because it serves the recording tech tremendously.
Go With What Is Most Comfortable For You
No one wants a stilted performance. Not from the DM, not from the players. It's our game, first and foremost, so we're going to play the way we want to play. The audience will comment, but I don't really watch the chat during the stream, and that is so I can give my whole self over to the players I'm playing with. By keeping myself centered on them, and not on external hardware, I can be my best self.
In addition, peripherals are great tools. DnD Beyond comes up quite a bit and we decided to give it a go as a group to help ourselves get organized. Unfortunately, technical difficulties, connection issues, and the product of staring at a screen all the time just to check your abilities has started to pull people out of the action, or at least made it a little inconsistent. So, back to pencil and paper, dude. DnD Beyond is a great resource, and I still use it often to build out and test characters, but for OUR live show, we operate better without more tech at the table to look things up. It makes everything smoother, focused, and more intimate. ;)
Know Your Character, Know Your Stuff, and Get Organized
This one is a standard I always hold myself to. I am a professional, of course. ;) But this stretches beyond the DM.
When you're in front of others, like a performance, a certain level of preparation goes a long way in helping the audience become immersed, the players staying engaged, and story flowing well. Players that do their homework on their abilities, clarify understanding before and after the game, and think critically about the feelings, motivations, and personal stories of their characters will sync up to the world with alarming speed and precision. The less you have to guess about how your character would act, the better you can ACT, and therefore play.
The times that I have prepared my character - just got myself more organized, put myself into their headspace prior to the session - the more fun I would have, and I'd avoid those little hiccups of second-guessing. Subtle moments of pause when I didn't know what to do...disappeared. And I'm not the only one to put in some extra prep.
John, for example, runs a "test Solomon" in another campaign to help flesh out how THIS Solomon acts. This way, Cloudsinger Solomon is the strongest iteration of the character, and John clearly has a ton of fun playing him. Jenn and I have meetings every so often to chat about her backstory and where her character's motivations lie. Lisa is very up front about how Spifi acts, and Spark...well, remains a mystery, but in a good way (Adam B.'s on point as a cat-person).
We're eager to play, but we have an external responsibility to do so in the first place, so that little extra pressure is enough to warrant bringing our A-game every time. And that little bit of extra responsibility brings nautical tons of fun to the table.
Any campaign can benefit from these elements - I wouldn't save them for online-only experiences. I've been using music sets, sound sets, and mixes for a LONG time in my regular games, and I'm often recording the sessions for my own internal consistency. I do my homework every time, but any good DM should. Great players prep themselves before a session to ensure smooth play and fast fun. It's a great way to upgrade your gaming experience.
However, these elements I find to be absolutely necessary if you're running something online. The addition of an external, broad audience adds another layer to your game, and it puts some onus on you and your players to literally be entertaining...but don't add pressure that sacrifices fun. With so many people on the planet, if you're having fun, there are bound to be more peeps out there that like your play style. So, keep things moving, sure, but PLAY YOUR GAME. It's your time to have your fun - we're just along for the ride. :)
See you at the table.
Hey peeps. I'm not perfect. No player or game master is. But I've had better days, and whenever life kicks me in the head, I tend to go through a cycle of reflection, beat myself up a little (I'm not as harsh as I used to be), then take a look at a few things that I can change to make everything flow just a little better.
Warrior mindset, ya'll. Let's break it down.
A State of Flow
A State of Flow represents a "lack of resistance" from the player and the game master during a session of play. It is achieved when each player is fully invested and focused on the session, and the GM never feels like they're fighting the players. This doesn't mean that the players take a backseat, quite the opposite actually. The players have a strong sense of how their characters operate and what they would do, thus flowing along with the GM, and their constant adjustments to the players, without causing hiccups; whether they be stretching the rules, misinterpretations, not paying attention to descriptions, being unclear on their actions in combat - there are many, many ways to interrupt the State of Flow. However, EVERY game will have these hiccups. What we as players, GMs, and the group as a whole need to do is try to minimize our recovery time to return to that lack of resistance. This way, EVERYONE benefits from cohesive play. Here are some ideas to help achieve that, coded to GMs - Players - or Both.
Setup and Breathe - Both
Everyone is allowed a bad day. It happens. Maybe you're running late - you got hung up at work, you're stuck in traffic, something came up. Maybe you were just in an argument, and it's weighing on you still. Maybe your head's just not in the game yet.
We've all felt this, no matter the cause. However, with 2 hours of play, I want to get into my play-time as soon as possible without carrying external baggage into my little escape from the outside world. I achieve this by entering and setting up, before engaging with the rest of the story, closing my eyes, and taking a few breaths. I let my emotions flow and take the time to reset, effectively opening my mind and body to the game. When I open my eyes, I can imagine that I am in a new state; whatever happened before does not matter NOW. Now, I am focused on telling a group story with my party.
This works for both groups, and in many moments of life. As teachers, many of us need to switch gears from class to class. We cannot allow the upsets or flow of one class to color our teaching of another; each one must be treated like new. So such is each game session; I do not want to bring in other elements from my life into this game - I want to be focused and intent on playing, so I can get the most out of my experience.
It might be strange at first, but I have led some deep breathing exercises or STOPPED A SESSION and made everyone take a deep breath, when I felt the flow becoming an absolute train wreck. I encourage every player and GM to take the time to set themselves up (get their character sheet, dice, organization, everything), close their eyes, and take a deep breath or two before entering the fantasy world. It may be a few extra moments, but it saves a million headaches down the road, and you will get faster at it. So take a breath, and let's go.
Take Responsibility For Your Own Distraction - Both
This one flows directly from above, but it's more personalized. I KNOW that if I have my character sheet on my computer, I am bound to engage in other things (email, correspondence, marketing, BLOGGING), or at least feel the pull to do so during a gaming session. It's the way my mind works; which is why playing in a session is so healthy for me, as it reminds me to slow down and pay attention, instead of just powering through checklists of tasks. Similarly, I try to keep my phone at bay. Sometimes I do need it nearby, but it's flipped over, and it's ALWAYS on silent. I will never, ever pull up a meme on my phone to show to ANYONE during play, because I know if I let myself do that, that I will fall down a slippery slope of distraction.
That's ME. Now, others can be completely engaged and focused while using their phones. However, if you ever find yourself getting distracted, YOU NEED TO TAKE RESPONSIBILITY FOR THAT. If you feel yourself being pulled into your phone instead of the game, and it's causing hiccups in your flow and the flow of others, you need to recognize this and put it away. Some people can have their computers out and they know that they'll still be engaged, so I'm not saying "NO ELECTRONICS AT THE TABLE." We live in 2018; I get it. We've got great tools - we're also all individuals with brains and meta-cognition and the ability to introspect. If you are causing hiccups in your own state of flow or the flow of others due to your own external distractions, take ownership of this fact, and make a change. This helps build trust, empathy, and accountability into the group.
Streamline Dice Checks - GMs
Sometimes GMs try too hard to engage party members individually during a group task. This burns time, and can split attention unintentionally. I am guilty of this on a few occasions, and I am working to recognize it earlier than the night after, but it helps to put a few things into perspective.
GMs should assume that we have limited time at all times - this doesn't mean that we need to RUSH anything, but it does mean that precision and efficiency go a long way.
Don't require rolls for simple tasks, just move through it narratively.
If the group is engaging in a group task, have everyone roll at the same time, and announce the DC and what happens down the line to each player.
(Sometimes) Pre-roll opposed rolls if you're really strapped, so they act as general DCs instead of live rolls. I don't do this often, as it can kill that "live play" feeling for me, but using a general DC based on a creature's attributes can still speed things up.
A roll should only be used for a task where the outcome is unclear.
Strip Away The Gravitas - GMs
I like to describe things with accurate language, but still fantasy-oriented, like a good book. Sometimes, however, elements can literally get lost in translation, and players miss details. In this way, precision and transparency are more important than flowery language. You want to ensure that the visual of the players is the same visual you had in your head, thus everyone is moving together through this collective theater of the mind. If everyone has mostly the same picture in mind, you have a much lower chance of running into inconsistencies with character decisions (like someone assuming that a wall was a door, but the character would have known this, it was the player who was confused because the description was not clear to them) based on preconceived notions on the layout of the room.
This works for mechanics as well. You can be general, but your terms should match those in the book. In combat, for example, it is imperative to note what a creature is doing in established terms so players know exactly what they can and cannot act on. "The bandit uses his Cunning Action to Disengage from the group, then uses his Action to attack with his crossbow" INSTEAD OF "The bandit moves away from you, then shoots you with his bow" - "Do I get an Attack of Opportunity?" - "No, he Disengaged." - "Then how can he attack me?" - "He has Cunning Action, so he can Disengage as a Bonus Action." - "Oh, okay."
Or in the case of Legendary Actions and Spells and Counterspell: "He spends a Legendary Action to use his Disrupt Life Feature (features are not spells, and therefore cannot be counter-spelled)" versus "He uses a Legendary Action to CAST A SPELL (CAN be counter-spelled)." Neither of these spoil anything about the enemy; no one learns anything "secret" about them, and I don't fall into the assumption of trying to "trick" or "trap" my players by omitting elements that they could have acted on. The worst arguments (and wasted time) I've seen in play have often stemmed from that lack of clarity: "Well, if it's a spell, I cast Counterspell." "It's a Legendary Action...so it isn't a spell per se." "Well, is it a Feature or does it say he casts a spell?" You get the idea. The players don't have to know WHAT spell is being cast (a check might reveal it, or not, up to you), but they NEED to know that the entity is casting a spell, because they've got tools to counteract that; if you ignore those tools, you've robbed them of agency, and mucked up the process.
Finally, try to separate cinematic flavor text from mechanical changes. I fall victim to this, too, and it can be frustrating when you're trying to describe a battle cinematically. You might go into a cool description of a particular blow to a creature...and the players will interpret it as a mechanical change. "He's driven to his knees by your strike, the armor visibly denting from the raw force of your impact" - "Oh, so his AC went down!" - "No, it just hurt him a lot." - "But you said his armor dented!" - "But it doesn't affect his AC" - "Well, he must be prone, then; you said he went down!" - "...sigh." Whereas if I describe: "The force of your blow is so strong it knocks the feet out from under him (I move his piece to make him Prone). He falls flat on his back and now prone, the wind momentarily knocked out of him." I added a mechanical clarification to my description, using established terms, and no one clarifies or fights me. Sometimes in the former, I will have to clarify by saying instead "He is MOMENTARILY driven to his knees." See what I mean?
Though, the latter example is also a Player thing. If the GM does not announce a mechanical change, don't argue that there is one, but ask a clarifying question - this way, the GM isn't put on the defensive, and they have an opportunity to make adjustments where needed; this is smoother, and thus faster.
Prep Your Turn - Players
It bothers me to no end when a player casts a spell on their turn...then stares at me as if I have memorized every single spell in the book (I do memorize many of them just out of osmosis, but there are hundreds of spells) and know exactly what their spell means, their save DC, and what I am supposed to roll. It's YOUR turn - look up your spell, know what it does, know the save and your DC...prior to your turn.
Now, the battlefield changes during play, and that can affect people's plans, especially casters, so when it settles on their turn, they may have to scramble. I understand that, and it totally happens, but you as a player are responsible for understanding the capabilities of your character. The hiccups, actually, occur when someone casts a spell...and then sits there, as if they have forgotten the other elements required in casting a spell; some spells are spell attacks (where the character rolls), others are saves (where the enemy rolls), some have varied effects, conditions, contingencies. If you're not sure, have the spell description nearby; the idea here is to be organized, so that you take responsibility for what your character can do.
For EVERYONE, try to have an idea of your Movement, Action, and possible Bonus Action before your turn. Just like board game etiquette, you are expected to think about your turn PRIOR to your turn occurring. Things can change during play, and that can affect your turn, but if you're watching the battle unfold and thinking actively about your turn, you've already made adjustments as you go, so the interruption of flow should be small anyway. And when you take your turn, declare what you're using and how: "I spend my 50 feet of movement to run around the back of the beholder, and I spend my Action to attack twice, and then my Bonus Action to use Flurry of Blows and attack two more times (rolls dice, concludes actions). I'm done." My turn is over.
The trouble we run into is present in three ways. First, we're only waiting until our turn to even approach thinking about what to do. All that time between was us being distracted and departing from the scene. So, when our turn arrives, we're playing catch-up. Sometimes we need to pee - I get it, everybody does it - but when we come back, you make it a priority to catch back up before it's your turn. If you return and it IS your turn, then the pressure's on and you need to make some quick decisions.
Speaking of speed, the second way we interrupt flow is when players forget HOW the mechanics work and the steps needed to execute certain actions. For example: Attack and Damage. An Attack requires a D20 roll, then adding Proficiency Bonus and Ability Score Modifier to that roll (this should be ONE number next to the weapon on their character sheet for simplicity), and announcing the total. THEN, if you hit, taking the appropriate damage dice, rolling those, adding on the appropriate modifier and any extras (again, marked clearly on their sheet for ease of calculation and speed) and announcing THAT total. We get bogged down when that checklist is unclear or we skip steps.
The third way...is detailed in its own section below.
Respect The Scene / Wait Your Turn / 6 Second Rule - PLAYERS
BE EVERYONE'S BIGGEST FAN. If it isn't your turn, plan your turn (so you're ready), but celebrate the achievements and actions of your allies - this keeps you engaged in the scene, no matter what it is. This also makes your fellow players feel FANTASTIC. Now, this requires some caution - remember that when it isn't your turn, it isn't YOUR turn. Try not to, in your celebration of others, begin to add your own character into other player's turns. It's one thing to cheer on a player using an awesome ability and another to horn in on that use of ability; Ken uses Deflect Missiles - we all cheer and high-five him / Ken uses Deflect Missiles and Colton mimics him doing so, rolling an unprompted Performance check out of his turn trying to distract the Duergar chieftain. The former celebrates without taking the attention away from Ken, while the latter pulls the attention away from the active player. There's a difference.
The key point here being that you need to Wait Your Turn; plan it out, sure, pay attention, celebrate, but WAIT for your time to shine. This also means that you should be aware of your side conversations. If you're engaged in everyone's turn, those side conversations will be minimal to none, and that's great. I hate the feeling that comes up when I'm playing, it's my turn, and everybody's chatting about something else - but I'm quiet and engaged in their turns, how come they can't show me the same respect? And though that may not be people's intentions, it can come off that way; we want to avoid that perceived double-standard of respect. And though it might feel like you're waiting a while the first time, I guarantee that it makes everything flow faster. You'll be back to your turn before you know it.
When out of battle, and this one can be tricky to achieve without some patience, it is important to respect the scene that is transpiring. It may be an interaction between the barkeep and one other character, or a courtier and two characters, or most of the group talking down a hill giant while another investigates his house. Just because the rest of the party isn't there doesn't mean they should carry on their own conversations. Think of it like a theater production. No scene will transpire at the SAME MOMENT as another scene on the stage. Timeline wise, they might be happening at the same time, but we will SEE them at different times. What this looks like literally is the party watching and waiting and listening to an interaction until it comes to a close, and then taking an opportunity to engage in their own scene(s). Scenes where the whole party is engaged with the same things tend to flow pretty well, but the same principle can be used. If it doesn't involve you - watch and listen. If it does involve you - engage. If the former, and you want it to involve you - watch and listen for a moment that you might be able to enter the scene.
I know, it's a lot more waiting and listening, but if we've done everything else on this page, this one should be pretty easy by now. No person wants to feel drowned out by others, and everyone wants to shine, so respecting each other's scenes allows characters to shine without feeling like they're fighting to be heard, AND we get the added benefit of building up trust and empathy across the group.
Finally, don't try to cram a million things into your turn. Movement, Action, Bonus Action. 6 seconds, dude. The more you adhere to that main mechanic, the faster the rounds go, and no one can perceive that you're getting more bang for your buck during your turn as opposed to others. It also makes you more efficient if you assume that you only have those three (often two) things to worry about.
In conclusion, both GMs and players can do a lot to make our sessions flow better, but the greatest take away here isn't speed so much as taking a breath and staying present in the game. We all get hang-ups, and our brains can be more distracted than ever, but I have to remind myself: Slow is smooth, smooth is Fast. Slow down and take a moment; watch and listen to your fellow players; let them shine, so you can shine; get organized and let go of the day; take responsibility for your own engagement. And we'll all be better for it.
See you at the table.
PS: Remember, talking is free...unless it's a monologue.
...Please stop monologuing...
The Push and Pull of Scrutiny
I have always been a reflective person. I did it constantly in school growing up (defining what it meant to be a decent person while struggling to find my own place), in college (learning to be a musician and a teacher in deluge of philosophy and pedagogy), and now, as a Game Master, I do it even more.
I am constantly worried about the state of my players; their happiness, fulfillment, meaning, investment, and overall comfort levels. And it's exhilarating, so I don't mind. But sometimes I get days like this - where I feel like I failed somehow; failed to reach someone, or made them feel bad when that wasn't the intention. And though teaching in a public school is a job that hones in on specific students; how they grow, change, question, etc. - THIS job of Game Mastering feels so much more...personal.
As Game Masters, we're really GUIDES above all else. As John and I have stated countless times in our podcast, we work through Consequences, not Punishments, and this mentality must persist through every facet of our narration and storytelling. We have to enable our players to reach their best selves. Often, on top of a full working knowledge of the world and the game mechanics at large, we have to know those awesome abilities that each character has and help them realize their best options (in a kind way) on and out of their turn. Be kind. Always. Support your players, don't punish them.
That has always been my mission - but I dare say that I am slipping to some degree. It comes from a place of improvement, but it could be I was pushing in the wrong direction. My allowance in custom materials and interpretations is something that is never going away, but as we continue to grow and I build our Mastering Certification, I know I've been trying to curb toward following the core rules most of the time. However, I have felt that I've made a few rulings that were not fair, and with me, I take each and every ruling I don't agree with like a punch in the face. I think on it often, and then try my darnedest to automate my solution so it never comes up again. :)
John Tanaka, one of our other Game Masters, does these cool live-streams each day over on our Facebook page, and in one of them he talked about a brilliant book called The Four Agreements by Miguel Ruiz. I have consumed this book, and I've taken it up again, and I think it applies to all walks of life, but in our mission here at Game On - to become our best selves through gaming - it matches quite perfectly from a Game Master and Player perspective.
The internet can be a swarm of rule lawyers, and though the "enlightened" point of view is gaining a voice - that it's a game, people, relax - there are still those keen on stating that "your fun is wrong." To help deflect some of this scrutiny, I've rolled back some of my home-brews in favor of RAW (Rules As Written), and been much more up front (in speech and in writing) on the things that I have kept. But so much of what we do ISN'T viewed by others; it is only viewed and experienced by the other players at the table - it's more intimate, and contextual, so the more amorphous the concept, the more circumstantial the ruling, and those will invariably change moment to moment.
So, before I go on, let's take a look at those four points of understanding, as presented and paraphrased from Ruiz's book, with some personal reflection thrown in.
1) Be Impeccable With Your Word
Do not speak ill of others or gossip. Do not accept, internalize, or believe what others say about you, or your thoughts about yourself.
I think on this and I realize that this was one of the points in High School, and school in general, that I happily failed at. I don't archive, internalize, or hold onto ill will. There's just too much going on in my own head, which opens the door for the latter, which is to remember that "not all the stories we tell ourselves are true." We have to remember that our words have power, and can propel good or evil forward - personally or interpersonally.
When we fill the world with our own voice too often, we use up our own well of words. We need to be silent sometimes; both to observe, and to speak from a place of intelligence and kindness - never to betray ourselves by telling cruel stories.
2) Don't Take Anything Personally
Any reaction implies that you have accepted (agree in at least some small way) with what was said or done. Everything people say or do comes their own perception and paradigm of the world, and has nothing to do with you.
Taking things personally is what made me a better teacher in the beginning, but it came from seeking to avoid perceived pain, as opposed to augmenting my craft. Glad to say that the latter is now the common practice, but the former sneaks in at times when exhaustion creeps in (secret lesson: take care of yourself - exercise, eat right, meditate, you get the idea).
What really sucks is when we subconsciously hold onto perceived ill will. It is rare if I do it now as an adult, but when I do, it's deep, and reveals a clear weakness in my inability to let it go. I did this once in the last year, and though the experience propelled a lot of positive change and leveled up my business and game mastering and leadership - all good things - I was still holding onto the venom...only to discover through a third party that it was all a misunderstanding anyway. That was months of wasted energy - whereas I COULD have sought out a solution by simply talking to this individual (see #1). Perceived possible pain at the interaction held me back from a simple solution.
3) Don't Make Assumptions
Don't operate from a preconceived understanding of the world or your relationships. All assumptions are limitations and failures to communicate.
This ties directly into a mentality that perplexed individuals in High School. I had a mantra: Assume Nothing, Question Everything, Change Something. It meant that I tried not to make assumptions about people and situations, would clarify (a lot, so much to the point that others thought me a dullard) understanding for myself and those around me, and make constant adjustments to my behavior and routines to try to be a better person. Not sure if it worked, but thinking on it now, it still makes a lot of sense.
Not to say that you can't use intuition, and learning, to better equip yourself for certain situations, the key here is to KEEP LEARNING. No single entity knows everything, and all knowledge deserves deeper understanding. Don't take things at their face value; the details might open your mind in new and challenging ways - and that's a good thing.
4) Always Do Your Best
Make your efforts all about what you can best accomplish in your current situation, so that you're always satisfied and happy with yourself. Don't overwork, but don't work merely for a reward.
This is what I strive for each day, but the most important component of this description is "in your current situation." The things that you cannot control do not weigh upon your personal performance. Do what you can with what you have, and make THAT the best it can be. The rest will be learned over time and progress.
The Ultimate Call To Action
The close of the book is probably the best - and simplest - fire to light under one's soul. Ruiz calls you to be an entity that takes ultimate responsibility for your own suffering and level of happiness and fulfillment. I interpret this into three focused mindsets: The Warrior, The Magician, and The Mystic. Those three avatars are in a constant feedback loop at all times, no single one taking full control of us at any one time, and that balance of trinity is never more apparent than when I'm running a game session - and the sessions where I struggle is where I have forgotten these mindsets. (I'm paraphrasing and adapting here, so don't @ me, bro)
The Warrior - the warrior is in control of his own behavior. (see also: Bushido) A warrior IS NOT a berserker; we are not controlled by our emotions, instead we control ourselves, and how we spend our energy; we do not deplete it with fruitless things. We have a limit of our own each day; a well that is pulled from as we engage in tasks and with others. Some tasks drain us, while others replenish. I have never built up my own energy reservoir more than in the last year - discovering the things and people that create that positive Feedback Loop of energy that helps me replenish my reservoir, and allows me to pour my soul into the people and elements that need it most - like my fellow players and their enjoyment of the game and their stories. TL;DR - only spend your energy on the good stuff; that choice is something you're in complete control of.
The Magician - a magician is one who is tapped into her creative mind; she tells stories, paints pictures, and forms new and distant worlds at a whim. She spends energy in creating, brainstorming, and seeing what could be possible - often in charismatic ways, taking others along for the journey. The magician is called into being all those moments when we allow ourselves to imagine, to create, and to play using our open world as the canvas. TL;DR - you're never too old to imagine new things, or bring them into reality; that's how invention is born. Never stop imagining.
The Mystic - the mystic views the world through an augmented lens, always keen to continue growing and learning - never allowing herself to stagnate, or become stuck in the ways of others less enlightened. This view of the world is not popular, but it saves our energy for the causes that matter. The mystic shows itself any time we stop to listen before speaking, research before reacting, and decide to engage without betraying our own center. You no longer rule your behavior by what others may think about you - a trait foreign to so many in this age. How mystical. TL;DR - never stop learning, and don't be afraid of adjusting the lens through which you view the world.
Augment Your Games
Resolve interpersonal issues...personally, and kindly (#1 and 2). If it's a topic that would benefit the group as a whole, and it stems from an interpersonal moment, deal with the latter, then address the former. This avoids feelings of passive aggression, and doesn't place that player on the defensive in the company of the team.
Made a mistake? Own it (#1). Most recent example for me: I got it in my head that order of operations mattered in 5E (some editions and other games rule that it does, but the elegance of 5E does away with that)... It doesn't. Hunter's Mark? As long as it's still your turn, you can cast it before or AFTER your attack, and still gain its benefit (just roll a D6 for the extra damage). Don't know why I got stuck on it so bad - I was wrong. :)
Support Your Player Abilities With Kind Reminders or Suggestions (#1, 2, 3 and 4): I would do this often with my newer players, but as time has rolled on, I haven't been as consistently helpful. I've been a little stuck in my own head lately, hence revisiting this awesome book, so I admit to dropping the ball a few times. Even with veteran players, if it's once a week, especially nearing the end of a long day, they might forget stuff. ANYBODY can forget their abilities; it's a lot to manage. It isn't our job to make them feel bad about that - it's our job to help them be their best selves, even if doing so wrecks my monster/encounter/spell/NPC/Legendary Action/Supernatural Ability. Group game, buddies.
Take a step back (#1, 2, and 3): It can be easy to get stuck in the trap of misreading a player's resting face as being bored, them in character to them actually being angry, and a high or low emotion moment coloring our actual perception. If we're ever unsure, though, we can always communicate (#1, and #3) interpersonally, and hopefully learn from such a communication. As these games are as much building trust and empathy as they are creating fun encounters and challenges, kind communication can only make the whole experience better.
Adapt and move on (2, 3, and 4): Maintaining momentum in a game is very important, so I try to have either a resource open or I've studied the rules enough to have them memorized to be able to respond to a player quickly and easily. But it's impossible to know everything, so having that resource nearby is key. If a ruling comes up in play and it isn't 100% clear from the RAW (rules-as-written), make a ruling then and there, and move on. You never want your game to halt for a discussion on the "intended ruling" of a rule. Then, also, see if you can err on the side of the player, not the DM, to put the power in their court instead. Players aren't inherently combative; it's a product of feeling screwed over by bad DMs, so give them a little more sway and see what they do with it. You can always have a discussion AFTER THE SESSION IS OVER.
Be KIND to one another. Always. No creature on this planet starts off cruel - these things are learned. If you revel in making players feel bad for forgetting their abilities, punishing players for out-of-the-box concepts, railing against GMs who are learning, or rules-lawyering people to tears...please UNLEARN this mentality. Kindness builds trust and empathy; two key components to any successful campaign. It tells players that you've got their backs at the table, even if the villain of the story is out to get them. That's the GAME, not the players and the GM; separating the two helps build immersion, and releases the tension of an involved story, without spilling over into the real world.
It's a powerful relationship - don't break it by being intentionally mean.
I'm sure there's a lot more I could connect here, but I think that KINDNESS is the main theme here. Your words have power. Not all the stories you tell yourself are true. Never stop learning. Always do your best. The rest...ain't worth the energy. :)
See you at the table.
So. There's a thing that happened on the stream.
The characters are Level 2 at the moment - very close to their next milestone - trudging through the sewer system under a reservoir, when they happened upon a dangerous creature.
This creature is pretty nasty, and going toe-to-toe with it in such a tight space proved to be devastating in regard to hit points, especially when it rolled a natural 20 and hit the mage for well over her maximum hit points...
The PHB is very clear on how instant death works, and I admit that in my 3+ years of professional DMing...it has NEVER come up. So of course, online, in front of a live audience, it does.
MY RULE for insta-death is as follows: a character is instantly killed is they are pushed to negative twice their maximum hit points in a single attack. This means that a character with 14 hit points as their maximum has to be hit into the negative by 28 or more hit points in order to die instantly. This ruling has always been there, but this was the first time it came into effect, and though it SAVED the mage, it still left a bit of a bad taste in my mouth.
The reason I altered things was to help safeguard early characters, but I try to balance it with my death DCs rising and requiring rolls and skill tests in order to resurrect a character (it gets harder every time). BUT maybe it was the live show that brought it all into perspective.
The player was alright with it (her dying, that is), but it was going against my original ruling - that no one was actually aware of in the first place. Revealing it looks like a cop-out, even though it's always been that way, but now that it's out there... I am taking a hard look at it.
I Reserve The Right To Change My Mind...But Not Fate, and Not Time
After contemplating and discussing this topic with several parties, and thinking on it myself - especially after learning so much about game systems over the last 7 years - I see no real need to hold onto that rule. So to be clear, this will be how I rule Instant Death, and how I always rule anything that resurrects characters.
Save DC Increase: Each time you die (three saves failed or instantly killed), and are successfully brought back to life, there is a consequence. This is represented by an increase in your Death Save DC. It increases by 1 every time you die and come back (this includes the spell Reincarnate, btw). So, a character that has been killed and brought back successfully must now roll an 11 or higher on their death saves for a success, as opposed to the standard 10 or higher. Die twice? 12 or higher. And so on. There is a consequence to you dying; it is now harder to cling to life.
Resurrection Skill Challenge: bringing a character's soul back to their body is an involved and powerful process. As such, I require a Skill Challenge for a Resurrection spell. The bigger the spell, the more involved the challenge. A spell like Revivify requires only one roll with a DC equal to the character's current Death DC.
A spell like Resurrection is an hour-long process with characters finding ways to pull their friend back to the land of the living. It's an opportunity to immerse yourself in the relationships in your party, and find meaning in bringing them back. I ask for three "offerings." These are creative interactions; whatever the player character deems as a way to usher the entity back to the land of the living. Players have prepared poems, potions, offered a childhood toy, grown a tree - whatever you like. How you present it can help a lot. Then I pick an appropriate attribute or skill and you roll against that same Death DC. A success brings down the final roll (me) DC by 1. A critical success drops it by 2. Conversely, failures and critical failures increase the DC by the same amounts. When all three offerings are finished, I do a straight roll against the adjusted DC (based on the offerings' successes or failures) and we see if the soul was ushered back to the body. So far, I have run 8 total rituals in this way, and 3 Revivify quick rolls. Only 1 has been unsuccessful, but 2 others were within 2 points of failure. It's great role-playing; and sometimes, creatures just die, and that's okay.
DEATH CAN COME AT ANY TIME
Moving forward, you're dead outright if you are pushed to negative your maximum hit points, just like in the PHB.
As for our little gnome friend in Cloudsinger...she's still alive. But her Death DC just went up by 1. That's the balance. :)
I'll see you at the table.
Back from vacay, ladies and gents, and I've been catching up on John's videos, and our Game On! content that I missed, and the whole process got me thinking.
There have been a few rules that I have adjusted in my games. Some to add flavor, others to streamline, and a few to add flair to an encounter or a creature. So I'd like to present those to you, complete with what it actually says in the book (if anything), what previous editions might have ruled, what I rule, and why. This way, peeps have a better idea on what to expect in my own games.
Let's get started.
1) Powerful Enemies Auto-Crit Unconscious Characters
ME: when a creature drops to 0 Hit Points, they fall unconscious. If struck by another blow in this situation (being at 0 Hit Points and otherwise helpless), the character loses 2 death saving throws automatically, as if being struck by a critical hit, dubbed "auto-crit." This occurs even if the attack is beyond 5 feet away.
Book: "If you take any damage while you have 0 hit points, you suffer a death saving throw failure. If the damage is from a critical hit, you suffer two failures instead. If the damage equals or exceeds your hit point maximum, you suffer instant death."
Subnote regarding Conditions: "Unconscious [...]. Any attack that hits the creature is a critical hit if the attacker is within 5 feet of the creature."
Why: When working with intelligent tacticians, a creature at 0 HP is an easy target. You are helpless, and those that have the capability to notice the overall strength of a party - or have witnessed your healing capabilities - know that it would be unwise to ignore you just because you fell over. This mentality, coupled with the fact that you are HELPLESS before them in that moment, deems many creatures the ability to auto-crit on your lifeless form, forcing you to lose 2 death saving throws. This is less a custom ruling, and more an adjustment of the capabilities of certain creatures. A mindless grunt won't take notice, but a seasoned sword fighter would, and would probably take advantage of such a situation. I call this feature Twisting The Knife, and intelligent creatures above a certain CR will often have it.
But why, though? Dangerous entities should remain dangerous, and going toe-to-toe with something dangerous is risky. This ability adds dynamic stress to a situation when someone goes down, and it also offers opportunities for villains to do more than just wipe out a party. They can force ultimatums, draw their blades toward the party's cleric and force them to back down, lest they decide to end her life then and there. It can create a Change Of Circumstance, and can further alter the battlefield. These kinds of moments can define an encounter, and those are the things I love. Building interesting encounters with dynamic foes.
2) Critical Hits Double The Rolled Number, not dice
ME: when you score a critical hit, I have you roll all relevant dice involved in the attack (including Sneak Attack, Smite, and the like) BEFORE adding modifiers. Then, total that number and multiply it by 2. After that, add on your relevant modifiers.
Book: "When you score a critical hit, you get to roll extra dice for the attack's damage against the target. Roll all of theattack's damage dice twice and add them together. Then add any relevant modifiers as normal. To speed up play, you can roll all the damage dice at once."
Why: I first saw this practice adopted by Matthew Mercer of Critical Role, and it seemed to really speed things up. As cool as it is to roll a literal mountain of dice (which is what we Wizards LIVE for), the associated math can often bog down play in intense situations. So instead, I have peeps roll the appropriate dice involved, double the total, then add on modifiers. This also allows me to grant opportunities to the players to further multiply their damage with my custom Assets, special weapons that harken back to Pathfinder (where swords grant a x2 critical, with critical on 19-20; while most axes only crit on 20s, but offer a x3 multiplier), situational bonuses, and great ways to communicate a creature's weaknesses (oh, that creature is weak against Psychic damage...we'll just double that number now). ;)
3) Better Descriptions Yield Lower DCs
ME: the better you describe an action or present an argument, especially in character, the lower the DC to beat. Conversely, the more vague you are or the more terrible you present an argument, the higher the DC.
Book: this one's up for DM interpretation. For each thing you're trying to accomplish, the DM decides what ability or skill is relevant, then sets a DC in their mind all the way from 5 (Very Easy) to 30 (Nearly Impossible). There's no hard and fast rule here.
Why: it adds agency to a player's ability to PLAY. Improvise, argue, call people out, fall flat on your face. You get to use your acting and descriptive abilities to better (or worsen) your chances at success. Which is a good thing.
4) Downing Potions
ME: downing a potion consumes your Bonus Action, but not your Standard Action. FEEDING a potion to another character, which is more involved, consumes your Standard Action. No, you may NOT down two potions in a turn (thus consuming your Bonus and Standard actions). I allowed that once, to disastrous effect. Never again. The DM will remember this...
Book: this one required some clarification. This was later ruled as Use Magic Device or Use Magic Object, but either way consumes your Standard Action, just like the Use An Object Action.
Why: Sitting there downing potions, unable to do much else can rob a player of their class abilities, and I'm not a fan of that. This way, there's still a cost to using a potion, but to a seasoned adventurer, downing a vial of liquid doesn't take much.
5) Called Shots are a thing
ME: you can specifically target something by claiming that you are making a Called Shot. This sets up a few changes to the battlefield. 1) By targeting a specific place, you make the shot or strike exponentially more difficult, as combat is fluid, so the AC for this shot gains a +5 bonus. 2) If you hit, you deal an extra 10 points of the weapon's damage - BUT if you miss, you have disadvantage on your next attack this round, as you recover from the creature dodging you. 3) Hitting may cause a Change of Circumstance - maybe it partially blinds them (disadvantage on attack rolls), knocks out their knee (advantage against them), or some other flavor that I have to make up (which is actually fun).
Book: the term Called Shot does not exist in D&D 5th Edition, but it's existence is referenced in previous editions and exists in all its glory in Pathfinder. Pathfinder grants penalties to the player, instead of boosts to the AC of the target.
Why: this offers a mechanical opportunity for players with keen observation and tactics to change the course of battle, but with enough risk to support their own skill or specialization. A well-built archer can accomplish this more times than not, and our critical-fishers (advantage fishers) can achieve this to change the course of a tough fight, rather than just hitting it again.
And there you have it. Five ways that I like to augment my games. As these are custom rules, they may change, but they've gone through some rigorous testing and I'm pretty pleased. What custom rules do you use in your games? I'd love to know.
Till next time, friends. Hope to see you at the table.
Professional Game Master musician, music teacher, game designer, and aspiring fiction author.