The Merfolk and their adjacent creatures, like Sirens and Deep Scions, are often forgotten at most tables.  Pirates campaigns or the rare voyage across a fog-covered sea might bring them to bear, but the lore and construction of these creatures are, at least in my experience, rarely explored.  
  And that's why we're here today, dear readers, for a brief look at the link between two very underused civilizations.

First, we zoom in, beneath the depths of the crashing waves, below the shades of bellowing voices and past the false eyes we conjure in our minds; beyond this veil rests a world entirely its own.
  It begins with spires of coral and luminescent, volcanic rock.  It gives way to a sprawling metropolis; an underwater civilization of numerous tribes and castes.  Crab-like smiths forge in steam and bubbles, while a siren bard sings upon a stage; a consort of the queen rides in on a seahorse of rainbow while a tailor shows off their latest in seashell fashion.  It is a whimsical, Aquamandian-acid trip of glorious wonder.  A fantastic opportunity to cultivate rare knowledge, materials, and metals forged in the deep pressures of the depths.  And for all this joy, every Merfolk knows the stories - heeds the warning; "Do not heed The Call of The Deep."

In Ionian folklore, tales of the Merrow are well-known among sailors.  The spun songs of shipwrecked crews failed to rescue, only to be speared from behind and dragged to the murky depths below.  Young lasses dangling trinkets over the side, only to be snatched from sight in one errant splash.  "Caution be to the depth of three, ye Siren, yo Kraken, and da Merrow of de sea."
  And yet, for every tale of salt and blood, once in a long while there stems a different tale.  Like that of Alexander Gush, a deckhand hurled overboard when the fabled Wingsong's Blade clashed with the kraken lord Ukathane.  The poor boy was thought dead, but washed ashore three days later off the coast of Glaz Dukot, not a scratch on him.  He was full of stories and hope and light, of crystal cities and blue-skinned guards, and a very kind princess with a crown of living coral named "Kalvira."
  Where light and hope shine, they cast shadows, and the entwined lore of the Merfolk and the Merrow help spin dichotomous tales and the lure of the depths.  Some believe that when Merfolk travel beyond the bounds of the known ocean, into the dark places of their world and their minds, the Call of the Deep is what twists them, and what comes out of that dark is a pale horse of death.  Death to the kingdoms of coral and light, death to the known and the lords of the shallows, death by trident of bone and mire.  
  And isn't that fun?

This post is simply your reminder that Water Breathing isn't that hard to get a hold of.
See you at the table.
-Adamus

AKA Why One Piece Succeeded While Cowboy Bebop Failed?

It's no secret that I'm a big nerd.  I grew up with Toonami as my first real introduction - if you don't count waking up early to watch Ronin Warriors before it got dubbed into Cartoon Network's lineup - to anime.  That means that I'm from the Dragonball Z/Gundam Wing/Outlaw Star sensibilities.  
  It also means that I fell in love with the music of Inuyasha, the magic of Princess Mononoke, and the masterclass of Cowboy Bebop.  Especially in the realm of these last three, I've written and published dissertations and analysis' on story structure, musical theming, and music as a character.  
  Cowboy Bebop remains a pinnacle of modern, compressed storytelling.  Sure, there are some silly moments, but the freneticism when it arrives is really a product of the human lens - all these worlds and colonies, filled with interesting, colorful people.  Much like the Wild West, you're going to have moments where the characters can regard the crazies, shrug, and move on.  
...That DOESN'T MEAN that those moments were the core of the show.  In fact, they were essential points of levity in an otherwise jagged and tragic narrative.  These are people with vices, lingering pasts, vengeance...  I'm going to go into detail on specific story points concerning our main cast, so if you haven't seen the full anime for Cowboy Bebop, I suggest you skip down to the giant asterisk (*).

The plot in Cowboy Bebop assumes, among many things, a passage of time between episodes.  The characters grow, but we're not with them moment to moment.  So these punctuated vignettes rarely connect time-wise cut to cut, while their themes and character branches are consistent.  And that's the thing: CHARACTER.  You have to nail the characters; the moment a character acts out of place with their core principles and abilities, a fan will be ejected from the story.
​
Spike Spiegel - an intelligent, savvy, and quick-witted scoundrel with a good heart.  Though he can get in over his head, Spike is quick on his feet and believes in people, even when they disappoint him.  He practices both the martial disciplines (Jeet Kune Do) and philosophy of Bruce Lee, easily put on display anytime there's a well-animated fist fight.  We learn slowly through a peppering of clashes and a lattice of converging paths that Spike used to be a part of a crime syndicate, and left when he faked his own death.  He is haunted by memories of a woman named Julia, who we learn he feel in love with.  His rival, Vicious, shows up only a few times in the show; instead of being a prolonged villain, his scarcity breeds intense mystery and malevolence, so whenever he arrives, their confrontation never overstays its welcome.

Jet Black - a tall, muscular ex-cop turned bounty hunter, Jet serves as Spike's foil during the series.  Hard-working, Jet thinks himself more of a renaissance man, collecting skills and connections to better catch the bad guys.  During a bad job as a cop, he was critically wounded and chose to have a robotic arm replace his own as a reminder of his mistakes - biological replacements were available, but he refused.  Jet is very much a man of principles and work-ethic; he hates to see people give in to their base desires, and is the strong "Dad" of the group trying to keep his strange family together.

Faye Valentine - Faye has to have one of the deepest backstories spiraling that I've seen.  In the anime, she is often the eye candy without being flaunted (the lens isn't weird about it).  A woman who is used to getting what she wants, Faye is resourceful, a great pilot, and an expert in firearms.  She also has her own vices: drinking, gambling, lying, and money problems in general.  Most of her predicaments revolve around debt and lies.  Her main arc revolves around developing trust in her crew, her friends, but especially in Spike.  The two with probably the most layered pasts who clash often, also hold unspoken care for one another - though their time is shorter than anyone thinks.
  The tragedy of Faye is that she is an amnesiac, who also was cryogenically frozen for over 50 years, and upon waking, felt the immense betrayal of owing debt for an action that was out of her control.  So she re-enters a world alien to her, burdened with debt no human could ever pay, and is forced to rebuild her entire identity.

Ed & Ein - everyone loves Ein, the super-intelligent "data dog" and the Best Good Boy around.  "Ed" on the other hand, is a genius teenager who is distractible, strange, and absolutely off-the-wall.  Abandoned by her equally intelligent, but distracted father, Ed finds a home of sorts with the crew, acting as their hacker and researcher, if she can stop speaking in rhyme long enough to make a coherent thought.  The anime's dedicated comedy relief, just as with anything else, Ed carries some intense layers of abandonment, but much like her rarely seen father, doesn't let it bother her.

I watched the first episode and though I was giving the show my benefit-of-the-doubt, something felt off.  As I reached episode 4 (perhaps longer than others gave it, I know, but I was collecting data), a few things became clear.

1) There's a lot more of Vicious.  When Vicious shows up in the anime, he is goddamn terrifying.  Faye meets him early on, and she has no idea who he is...and he horrifies her.  The vibe he gives off shocks her into silent fear.  Netflix Vicious...is a bit of a whiny brat when he first arrives.  He wants a lot of power and has daddy issues, and is easily manipulated by Julia.  Sometimes, less is more.  In the anime, he's not in charge (at least not yet), but he is certainly confident in his strikes and agendas, staging an elaborate coup late in the show.  This version shows a more chaotic depth to Vicious, revealing his own instabilities.  We even get some syndicate flashbacks, which I honestly craved from the anime.

2) With more Vicious, they added more Julia. - Julia is an excellent character, but more screen time in this adaptation also created strange interactions in the beginning.  Loaded screen time away from other character developments, and padded Game of Thrones manipulations.  ...Which I...guess I just wasn't in to at first.  And yet, it grew on me. 

3) The episodes sometimes feel too long.  The writing doesn't feel tight; instead filling scenes with other bloated elements (like Jet's daughter, a fabrication of the adaptation).

4) Julia commits to a pretty gnarly heel turn in the last episode, which cements her character as one fully departed from the anime and manga.  Then again, that's true of most of the characters by the close of the season.
​
HOWEVER, none of these are damning offenses.  As the show hits its stride, and viewers (like myself) stop expecting it to BE the anime, you can begin to enjoy what the show does do right, which is quite a lot, despite the vocal minority.

John Cho and Mustafa Shakir have good chemistry, and personify (most of the time) the right dynamic of character.  The cast interacts well enough, but feel disjointed until about Episode 8 - Sad Clown A-Go-Go, when they finally begin to jive and the show seems to embrace its style.
  Sets and world-building are strong where it counts, and scenes between most characters feel organic after the episode 6 mark, like the show gains momentum as it goes.  We even crescendo and build tension with a manner of skill toward the Ballad of Fallen Angels fight.  Episode 9 is my favorite of the season, finally offering a depth and lens to the series, like a pre-show short story.  A great slice of sci-fi noir.
  Cowboy Bebop is lauded as an anime that weaves between multiple genres while offering thematic through-lines.  It is clear that this was what they were going for in the adaptation, I just feel that they spun their wheels a little in the beginning.  I was rewarded with a satisfying story by the end, but I fear the attention span of the average streaming viewer and their ineptitude to form their own opinions in the face of the angry minority contributed to this show being cancelled.  Do I prefer the solo showdown of Spike vs syndicate gunners in a church while melancholy jazz plays?  Hell yes.  But can't both exist without it being the butcher of your childhood?

​Hate on HBO's Velma, not this.

For mental health reasons, I turned off notifications for Nerdrotic, Critical Drinker, and many more of our complainers upon the inter webs in favor of forming my own opinions upon finished artistic works.  It has saved me from both speculation and spoilers concerning new content, so I might be happily surprised when I see a live-action One Piece adaptation!

And let me tell you, as a long-standing fan of the entire anime, that I PREFER the adaptation to the anime.

​I - Character First

  From the get-go, we are introduced to a world rife with possibilities, and introduced to Luffy (played by Inaki Godoy), who proclaims his dream to become "king of the pirates."  This actor successfully embodies the enthusiasm, startling faith in himself and dreams of others, and the carefree anti-stealth of the manga's Monkey D. Luffy.  Immediately spot-on rendition.  In fact, every character introduced fits the spirit of their portrayal while also adapting.  I absolutely ADORE this cast; they are perfect.

II - Setup, Payoff, and Pacing

  One Piece is a GIGANTIC manga and anime with over 1000 episodes and multiple films, there's A LOT of...fluff.  Let's be honest.  As a serial anime weekly shoved out, and airing from 1999 to at least 2019, the animation definitely looks it.  Big characters, weird proportions, super exaggerated expressions, crazy world building, and tons upon tons of scenarios to keep the show going.  I am a child of that time, and know full well that one piece's animation and style is a lot closer to the 80s structure - everyone knows there are dozens of "beach episodes" sprinkled between actual, thoughtful story.  
  The first major arc in One Piece is 61 episodes long, and ends with the reclamation of a beloved crew member and the liberation of a town.  With tight writing and thoughtful editing...that's the whole first season in this adaptation.  You'd think that we'd be cutting out truly important beats, but actually this is a superb example of Beginning with the End in Mind.  
  When you're producing an anime without an ending, you do your level best to draw things out as long as possible.  Dragonball Z did it so much back in the day that it's now a meme.  One Piece 10x'ed this crap.  Why so many characters that don't add much in the long run squished between characters that do?  Padding the runtime.  But with the end in mind, a good team can pare down the fluff and get to the best moments, and pace them so that they're earned.
  Every character gets their moment - earned tear jerkers, badass reveals, actually seeing character relationships develop and change, and a treasure trove of subtle easter eggs for all us fans without alienating anyone new.  In only these 8 episodes, we meet the main cast of Luffy, Zoro (Mackenyu), Nami (Emily Rudd), Usopp (Jacob Romero), and even Sanji (Tan Skylar), with a great long-standing focus on Coby, and get to see the first additions to our "rogue's gallery" with Alvida, Buggy, Kuro, Mihawk, and Arlong.  And the best part?  It all feels smooth and easily enjoyed.  Chemistry is great among these actors, and I couldn't be happier with our villains; Buggy is menacing in this rendition, and his connection to Shanks is put in the forefront of his characterization; Kuro is terrifying here, and the actor has his mannerisms DOWN.  I know in the manga that Arlong is HUGE, but here he FEELS big; presence of character translates much better than a CGI mess.
  And looking through the writer's lens with the whole of the story to choose from, this team selects perfectly where and when to show an easter egg vs a conversation vs a flashback, all for its momentum; some subtle, others big, and all being important.  Nothing feels drawn out or wasteful either, something I felt the anime suffer from often.

III - Action On Point

  Roronoa Zoro is my favorite character to watch fight people (fantastic sword work), with Sanji at a close second.  Both actors absolutely sell it and have clearly put in tremendous physical work to do so practically.  The second fight we see Zoro he's owning a set of marines in a bar using mostly his hilt and a half-drawn blade; it's stunning to witness.  In fact, the cinematography and camera work does a fantastic job in applying weight and speed to characters, so you feel every impact, especially from characters like Arlong or Axehand.  I have found myself rewinding episodes just to watch the fight again because the actors were so impressive.  Cannot wait for a rematch with Dracule Mihawk.

IV - Music On Point

  From the anime, I barely noticed the show's music, save for it's opening theme, but I've purchased this score (by Sonya Belousova and Giona Ostinelli) for myself and listened to it multiple times.  I love the theme, and how the composers honored the anime opening as a literal track in at least two episodes, plus made a specific stinger for ever-changing title card at the beginning of each episode.  They explore numerous instrumentations and have a penchant for guitar, as well as variations on the main theme, so much that one can just listen to the soundtrack on its own and still tell a story.  Just solid.

V - Keep the Details, Center on Character Arcs

  No filler episodes.  What can you accomplish when you know what's coming?  What relationships should be cultivated, and others minimized?  What story points are central motivating factors for each character and their dreams, while still being compelling?  
I prefer this approach.  The story feels stronger and smoother, and in an age where we look for story beats and arcs, for setup and payoff, this delivers over and over again while never sacrificing the spirit and integrity of these characters.  

It's worth it.  Give it a watch.
...And no one cares about Luffy's sandals...
Sometimes it's okay to just like things.
-Adamus

Life without a Gall Bladder is lot more annoying than anyone tells you.  Let's look at things.

A Proton-Pump Inhibitor does some strange things to the body.  
  For one, they reduce the output of acid by inhibiting its production.  Take it once before your first meal, and your stomach acid activates the ingredients, reducing your acid production throughout the day.  Originally, this helped me eat whatever I wanted whenever I wanted, but the long-lasting effects only delayed the truth of my poor health habits.  I was treating a symptom, not a cause.
  I can't really blame my past self, though.  I was literally feeling awesome until my Gallstones sent me to the hospital.  I had no idea that anything was wrong until it was.  The doctor recommended removing my Gallbladder (which I don't recommend, now knowing what it actually did to me) instead of taking some other medications to break down and pass the stones.  I opted for the surgery, and now I'm missing an otherwise excellent organ for breaking down fatty foods like ICE CREAM, CAKE, and ALCOHOL.  Now I need to eat those once in a long while or not at all.  I know, forced healthy eating, woe is me, but I would have liked to know the real cost associated with this simple procedure.  Now, socially, I more often opt out from everything my friends are doing because if I don't, I'll spend the next 6 hours in excruciating pain.
  And that's the other kicker from removing your Gallbladder.  NOW, when you enjoy a cup of ice cream, you either have to time it early in the day, or immediately perform a three-hour intense weightlifting session followed by an extended LISS (Low-Impact Steady-State) cardio session, with a thousand crunches to pass the gas now built up in your body. 
You think I'm joking.
  Early on, before we learned all of my triggers, I would be up all hours of the night in excruciating pain ratcheting through my torso - all gas built up from foods consumed earlier in the day, that hadn't caused problems before the surgery.  Without the Gallbladder to release bile and help break these things down, I was up for a world of hurt any time I strayed from my mystery path.  We learned, I embraced weight training out of necessity, and we tracked my triggers to avoid "a bad night."  I still make mistakes here and there, and my body lets me know if I've been too lazy too many days in a row with a hefty gut punch of nausea and regret (pun intended).  So I NEED to stay active, even moreso than others my age.
  On count two, PPIs leech your body's calcium to activate over years of taking them, stacking up the risk of osteoporosis.  Yeah, learned that a couple times over.  There have been many moments in my 30s here that I noted feeling brittle; my nails are thin, my bones ache, my nerves are weary - like my skeleton is strung out.  Maybe that's why I crave so much Fairlife and Core Power throughout the day (Protein and Calcium).
  It's count three that seals the deal, though.  Despite their purpose in helping your Esophagus heal, they are also a major contributing risk factor to its cancer.  That's throat cancer, for all you normies.  They didn't tell me that when they stuck me on this crap and insisted that I take it for THE REST OF MY LIFE, even with the dietary changes.

So I went to a naturopath gut specialist and two things came out of it.
1) I needed to go full Paleo.
And 2) I need to take OX BILE SUPPLEMENTS.

We went strict Paleo for about three weeks, and I felt awful.  Mental fog, hungry all the time, and wondering if this was all going to be worth it.  Then, the supplements...  THE WORST ACID ATTACKS OF MY LIFE.  

Instead, I opted to eat as clean as possible and work out as consistently as possible.  We're talking eggs, rice, vegetables, fruit, lean meats, and paleo-friendly protein snacks.  Still on my medication, after five days of working out, I felt like a superhero.  So I decided to take a day without the PPI.  The morning was awesome, though I did feel a little funny.  By noon that day, I was experiencing what I now know to be the first bits of nausea, but I muscled through (detailed below).

Now I balance between high water intake, little to no classic sugars (candy, traditional soda, baked goods), and a protein-rich diet with greens.  So far, my body thanks me, but I haven't been able to shake off the meds entirely

Coffee is tricky.  The blacker the coffee, the higher the acid, and as a diuretic on top of that, it passes through me like a nuclear bomb, twisting up my gut and burning everything on the way down.  Not fun - to that one guy at the bar who told me that "we won World War II on black coffee, suck it up kiddo," I invite you to switch bodies with me and chug a mug of that stuff.  When you're convulsing on the floor thinking you're having a heart attack, we can swap notes on personal histories.
  If I add creamer and sugar, things get easier, but you'd think they wouldn't.  I just added fat, milk, and sugar, three big no-no's in the GERD community.  And yet, my body craves milk proteins (and protein in general, hence becoming more Paleo-ish lately), and has yet to have a bad reaction from them (save for the weight gain, that is).  Ice Cream...isn't milk, not in its true form, so don't go there.  Anywhoot, now that I've corrupted the coffee past the point of it having any benefit beyond dessert, it isn't satisfying enough to fill that deep void of dopamine.  It never was.  And depending on the quality of the roast, it could trigger an acid attack no matter what you put in it.
  So I turned to other sources: I craved vitamins, electrolytes, sugar, and caffeine.  Yeah, you guessed it - Energy Drinks.  However, not all Energy Drinks are created equal, and as I experimented, I took notes.  Let me share with you my discoveries...

RED BULL (all varieties) - lighter and less, but the same super expensive price.  Too light for me, and something about their energy mix makes me crazy over a few days.  My brain gets super unfocused, and all of my minor OCD and ADHD habits get amplified tenfold.  Not fun.
C4 - this 0 calorie monstrosity seemed great at first, but any day I had it I was wracked with painful muscle spasms in the middle of the night.  Had to go to several sessions of massage therapy just to relieve it.  Spasms stopped once I stopped drinking it.
MONSTER (Original - Green) - the OG, this one got me through some rough patches in my life, but too much of a good thing is still a bad thing.  I'm scaling down to their 10.5 oz cans, once per day.  I'd like to get to one every other day, then as needed from there.  For whatever reason, this mix grounds me and helps me focus without feeling jittery or even crashing.  It's weird; I'm still researching why that would be while everything else pales in comparison.
MONSTER (Lo-Carb) - tastes...wrong.  Fine in a pinch, and a decent switch if I'm cutting calories, but it feels weak (probably because it is).
MONSTER (Zero Sugar) - just like Red Bull, this one makes me crazy, but it's within an hour of drinking it.  Headaches, sometimes full migraines, and sometimes nausea, as well as losing daily life focus.  Avoid whenever possible.
BANG - Bang works...too well.  Something about the mix keeps me up for days on end, and I have to keep moving or I feel I'll vibrate through a wall.  Maybe that's why some of the gym rats use this stuff as a pre-workout (don't use this as a pre-workout; use a pre-workout as a pre-workout).
NOS - one of my D&D buddies chugs this stuff, and I've only had it once.  Didn't like the taste, but moreso it felt flat; medicinal mostly.  May revisit someday, but I won't hold my breath.
ROCKSTAR - one of the grossest things I've ever ingested.  Triggered a full-on acid attack.  Do not recommend.
​
Worth noting: Caffeine Pills make me manic, don't go there.

7am - Wake up, hungry as heck
8am - ate a carb load - Breakfast tortilla (5g) with 3 eggs (18g) and a slice of munster (5g); 
  Assessment: A little bloat in the tummy, but no nausea or pain.  A little belch on my drive to the auto shop.
8:30am - Caffeine Source, Green Monster, 16oz.
  Assessment: More belching to follow, but I'm listening the most to my intestines and how everything moves.  I expect the belching, the drink's carbonated, but unlike standard sodas, I've never had a gas attack from Monster (ever)
10/11am - Liquid Snack, Fairlife Milk (23g)
  Assessment: gut was getting a little pang-y, which is really just an indicator of "consume more actual food, moron," so this neutralizing milk jug was effective.  I definitely feel my weight more today, but it might just be a heightened awareness of my body composition in general.  I'm certainly paying attention to how I'm feeling!
11:30pm - Weight Training (Forearms + Pull Day)
  Assessment: as one of the long-lasting effects of a PPI is weight gain (you're not processing food and nutrients the same way anymore), lifting 6-7 days a week is essential for my happy place, and though I've been able to turn around from my 230+ weight and head more easily toward 200...  I can't shake the feeling that my years-long affair with this medication has played a nefarious role in impeding me.  Lifting feels...free-er somehow.  Probably psycho-sematic placebo.
1pm - Lunch
2pm - Feeling a little funky, staying active not to think about it.
3pm - QT
5pm - Dinner/QT
6/8pm - It is amazing how connected my gut is to my brain.  If it's feeling uncentered, so am I, but I prefer hunger to discomfort.  My brief experiences with Ketosis and intermittent fasting taught me not be afraid of hunger feelings.
9pm - Rehearsal
10pm - Sleep/Night 
  Assessment: sleep time is where my anxiety is highest.  Powerful formative memories of painful nights wishing my body would allow me enough relief to get even an hour of rest.  This time around...I took an antacid to be careful, and woke up a little nauseous - too much acid spinning around.  Have to take this in short bursts, it seems.

Having remade myself many times, I know that the first day is often the easiest to implement.  Habits are simple when you're riding the wind of change.  It's days 2 and 3 that kick the crap out of you.  So I can feel good about today, but the real work begins tomorrow.  However, I came prepared, equipped with years of life lessons customized to my body and soul.
I - Take your time between food intake and slow down.  Relaxing when I eat and taking my time does wonders for portion control and avoiding stress on my stomach and esophagus.  Spacing out my meal times also ensures that I don't get overfull, which can ruin my day and protein goals (there's no room and I can't digest it all in time).
II - Pushups every day are saving my life.  I started small to build up the habit (5 each morning), and now I'm at 25, pushing to 50 per day.  It keeps my muscles happy, I don't have to do them all in one shot (though I'd like to someday), and it helps me wake up in the morning.
III - Caffeine acts like food, but isn't food.  An energy drink will stave off the hunger pangs for a limited time, and without the PPI, that time limit shortens.  The pangs I feel mean "eat real food, moron", not an acid attack.
IV - Move, lift, work, achieve.  The more UP I am, the better my day is, and the closer I move toward my many goals.  It's simple, but hard.  I can do hard things (get a standing desk, it's a game changer).
V - Stop eating at 7pm.  Especially if you want to be asleep by 10pm each night.  A little hunger at night is a welcome alternative to hours of pain.  It's worked wonders on the PPI; it should do great off of it, too.

​I'll write more as the experiment continues.  This entry has taken far too long as it is.

Shoosuvas have a history deeper than 5th Edition.  
  With the prevalence of the gnoll in Dungeons and Dragons legacy, the Shoosuva went hand in hand, though their art has certainly evolved.

But I prefer its most recent rendition in 5th Edition.  The patchwork fur, as if striated from a living corpse; the exposed rib cage, with light emanating from within, so when the thing opens its maw, the nauseating yellow glow from within pours out, the last thing a victim sees before it chomps down on their head.  Leprous throats, glowing and bloated eyes, and vicious, jagged teeth...don't you just wanna' hug him?
  You'll have to stand on your tippy-toes - these good boys are 6 feet tall, with a series of bony spikes and ridges running up the spine, ending in a glistening, barbed tail with a poisonous stinger (which causes paralysis).  Super fun.  You want one of your own?  Then you'd better stock up on spare carrion, as this thing's favorite food is rancid meat.  Though you might be able to coax it with your wit and wiles, as, especially by gnoll standards, these things are pretty smart (Int 6-8), but not THAT smart.
  Getting a cleric on your side to turn or tame one might be a wasted effort, too.  Though they look undead, their forms seemingly powered by that necrotic light within their torsos, their demonic lineage grants them the tell-tale resistances to such radiance, along with the standards of energy damage - most are resistant or immune to things like Lightning, Fire, Poison, and Cold, not-to-mention that ever-tricky "damage from non-magical weapons" deal.
  By the numbers, a Shoosuva is a hefty beast for most middle-level adventurers, and a deadly encounter for young parties.  Thing is, they're rarely alone; fighting alongside a gnoll war band and, most likely, a seasoned gnoll warrior who's a cut above their fellows.  Their demonic nature cuts most damage in half and you can kiss that charm spell goodbye.  Their natural armor isn't amazing, but they make up for it with a boatload of hit points and an extra attack.  Plus, they share the gnoll's iconic Rampage ability, so the moment the wizard goes down, you can bet he's coming for your cleric next.  The thing to really watch out for is its Tail Stinger - it's got a 10-15 foot reach, rocking d8s in damage, and a nasty Constitution save or be PARALYZED (hits become crits, yo).  Creatures can repeat the saving throw at the end of their turns, if they survive that long.

The gods are tricky beasts, and Yeenoghu is one to involve himself in the lives of his followers through portents, visions, and signs.  To his sovereign best, however, a Shoosuva was crafted as a personal bodyguard and intermediary to his favored warriors.  Shoosuva in Gnoll translates directly as "returner", and were believed to be the reincarnations of Yeenoghu's greatest disciples; a glimpse of the honorable next step for his favored here in the material.  Die in glorious battle and return one day in this new form to fight again.

As the tides of time passed and Asmodeus led his mythic Consolidation, Yeenoghu and his disciples fled a collapsing Abyss and held court among the stars.  This disruption led to the ascension of another demigod to bless the Gnoll tribes...and free them from their fiendish hunger, a ripple that erupted across the magical bindings of a Shoosuva and their companions.  Suddenly, a demon bound for life began a journey all their own.  
  Would they wander the wastes of this new world?  Find packs of their own, or evolve into something new?  Only time (and games), will tell.

See you at the table.
​-Adamus 

The original sage's lore for the Girallon paint them as so much more than gigantic apes.  Their hereditary affinity for ancient ruins and their strange anatomical appearance lead many historians to believe that they were created or manufactured through magical means - a guardian for some lost empire long ago.  
  In my worlds and others, the Girallon lost this purpose whenever that civilization fell, turning feral and spreading out into the realms at large.  However, tales of intelligent Girallon tribes have made their way into the bardic lores.  These mythic monstrosities communicate through sophisticated sign language and evolved vocalizations, their own form of Beast Speech.  Some bards even say a few can lurch their way through Common.  More importantly, they have learned to use their superior strength and dexterity to industrialize - creating armor, weapons, and simple tools. 
If you're keen on a death wish, one can try to find them in the fog-covered continent of Vysoria, beyond the Great Expanse to the east from our central continent.  A few have ventured there; wayward, plucky scholars with dreams of discovery glinting in their eyes.
​
...None have returned...


Now go eat a banana.
​-Adamus

Let's talk about Mercy.

  Overwatch, after its numerous snowflake "scandals" on showing athletic busts and butts in a fantasy world, remains one of the top tier titles in the first-person team shooter world.  All of the assembled heroes cover distinct roles to help fill out an effective team: Defense, Offense, Tank, and Support.  These are pretty straight-forward, but let's cover our bases.
Defense: defensive units excel at holding down a location and laying out damage to DEFEND a position.  Widowmaker, Bastion, and other sniper types fit this model.
Offense: offensive units are fast, mobile strikers with high damage output, but don't do well in heavy fire.  Folks like Reaper and Tracer do best here.  
Tank: with shields, crowd-control, and high health, tanks pull aggro from enemies and keep the fire on them cuz they can take it.  The big boys and girls of Reinhardt and D.Va are your go-to's here.
Support: support is the backbone of a team.  Buffing, building, and healing, characters here keep everyone up while bogging down your foes.  Mercy is the easy example here, but folks like Symmetra and Zenyatta fill in too.

Now, just like in any decent game, these roles serve merely as a guideline in and not a concrete directory of what hero to pick in any given round.  Meaning, not unlike Dungeons and Dragons and others of its ilk, characters can pivot when the situation deems it necessary.  However, Mercy shouldn't be relied on to make kills.  Sure it's possible, but that's not really the thing to do.
  Now, I've been a Mercy main before, and the weird thing is that...not a lot of people are.  In fact, the majority of players are the other three.  I go in order of priority = Support, Defense, Offense, Tank.  I LIKE being the healer when I'm playing with others.  Same thing happened in City Of Heroes (back when it was good).  Of my 6 characters, 3 were healers, and 2 were built to be the best support characters in the game.  I could stick myself in the melee and burst low healing to allies, while I cue large healing to the tank, and prep resurrection for the strikers that went in over their head.  And, if someone pulled aggro and died in a tunnel somewhere, I could teleport their body next to me and queue their resurrection next.  Every battle was a tactical switchboard between positioning myself enough out of harm's way to keep healing, and tracking the output of my allies to keep them moving, which in turn pulled enemies off of me.  MUCH grinding later, I could burn area buffs on top of everyone else, making my team way more effective at their jobs.  It was a lot at once, but I need that kind of strategy stimulus.
  Being "the healer" had a bunch of social benefits, too.  I'm never without an invite to an adventure.  EVERYONE needs a healer, and you learn quickly what kind of group you're signing on to.  Some are obnoxious, others are happy to play, but everybody gets in over their heads at some point.  You learn to manage the group's needs while cueing them into threats; a few times I was gifted the "team leader" mantle after running with a specific crew, because I was good at recognizing where the AI would move and would at least offer my two cents to keep everyone alive.  (Resurrection has a countdown timer, so you can't wait around to get folks back into the fight - if it goes to zero, they return to the HQ spawn point and it takes FOREVER for them to come back to y'all).  There are jerks in every party, but most of my interactions were positive, and when I was playing a lot over the summer between college breaks, I found and kept a solid crew of 3-4 other players that vibed well on missions.  It was a good time.

Psychologically speaking, I'm sure my therapist has a few things to say, so I'll paraphrase.  
  Support classes are acts of service at their core - their main goal is to make the team around them better and to make their foes worse (buff/debuff).  They are absolutely essential, but they require checking your ego at the door, at least in the beginning.  They don't feel heroic, despite making the hero even better...in the background.  They're also the main healers in a game - later levels net powers that can SAVE encounters in a single round, but the majority is still mitigating damage.  They also have to be protected, and sometimes it's hard to prioritize defense over offense, so a support character needs to also take care of themselves...something I needed to learn in the real world, but that's another story.
  My point is that for all their benefits, people still look down on the Support characters in any genre.  They're a lot less flashy,  lacking on NOVA, and often get to be the butt of the joke for no discernible reason (until you need a medic, that is).

There are two board game types I excel at: Deck Builders and Machine Builders.  Deck Builders involve starting with a base deck of cards (or some shuffled resource) and buying/trading for other cards to add to your deck.  The cards you add make your deck more efficient, effective, and versatile, until you are unstoppable.  Machine Builders are similar - start with a basic flow of resources and production, and use that production to upgrade your "machine" until it "comes online" and you really start wrecking shop.
  In Dungeons & Dragons, Clerics have been a staple of the experience.  Early in the editions, Clerics were the only class to tap into healing abilities, but in a lot of cases that was ALL they could do.  Later editions expanded on the Cleric's role, and they became the quintessential Control-Support, especially in the first two tiers of a campaign.  In 5th Edition, it is important to consider that, yes, healing is great, but the power of the Cleric is found more consistently in the rolling buffs and debuffs they can lay on the battlefield, and the consistent "chip damage" of spiritual weapons and guardians.  Thing is, they take a couple rounds to come fully online.  Here's how to do it.

Ruling Initiative is hard with this class.  You tend to have low or even negative Dexterity, prioritizing Wisdom and Strength instead, so without an Alert Feat to help out, you are at the mercy of the dice here.  However, make a Twilight Cleric and use their Vigilant Blessing to grant Advantage on initiative for one creature (including you, which is what I'm saying here).  Going first or close to it lets you turn on your buff and debuff abilities early, before enemies start restructuring your priorities.  If you go later in the initiative, chances are that you might be putting out the fires they set on your allies instead of getting the ball rolling into a boulder.
Priority 1 - Raise the Fallen/Fix the Broken: notice I didn't say "heal the party."  Damage is negligible until a character is unconscious.  We know this to be true as players; you are just as dangerous at 1 Hit Point as you are at 100 Hit Points.  The difference lies in how much punishment you can take until you go down.  On your turn, if anyone is down, get them up if you can.  Healing Word is clutch not for its healing amount but for its RANGE and economy.  60 feet, Bonus Action, get your people up, that's the BEST use of that spell.  Keep it locked and loaded for emergencies.  If you need the character up AND very healthy, you'll have to burn your turn getting them up instead with an "upcast" Cure Wounds (and at later levels, the obvious Heal).  In later levels, spells like Lesser/Greater Restoration, Revivify, and the Mass Cure Wounds/Heal live here.  In other words, always put out the fires first. 
Priority 2 - Prepare the Field: IF your peeps are healthy or at least standing, you can risk popping off a Bless or Bane as your Action on the party or the enemies, respectively.  Personally I would use Bless over Bane, as Bane requires a Saving Throw on your opponents (if they fail, they take a -1d4 penalty to all Attacks and Saving Throws, which is just embarrassing), meaning they can succeed against the effect, while Bless JUST WORKS.  Three allies add a 1d4 bonus to all their Attacks and Saving Throws.  The more you all hit, the faster the fight ends.
Subsequent Turns need to be spent taking care of Priority 1, while stacking on benefits (without compromising concentration) from Priority 2; spells like Sleep and Command are very powerful in early game, use them to effectively remove key enemies from the encounter for a round or two, or altogether if you don't kick them while they're asleep.  As you gain levels, though, your options get much more awesome.

Early game you will likely be nervous about allies going down.  Characters have low hit points, low defenses, and all it takes is a lucky shot to knock out your tank.  Having a spell slot saved for Healing Word is going to be your main focus, which means you might have to clock a few fools in the face with your warhammer and draw some fire.  Lucky for you, a decent DM won't push a dragon on you at this stage, so your enemies should be in a similar boat as your party in terms of power level.  For the following, let's assume that the encounter is at least a little balanced.

TURN 1 - fulfill Priority 1; otherwise pop Bless (concentration) for three buddies.  Yeah, you didn't hit anything, but THEY WILL.
​
TURN 2 - fulfill Priority 1 (this is always first, I'll stop saying it*); otherwise use your Bonus Action to cast Spiritual Weapon, then use your Action to Toll the Dead on the enemy that's taking the majority of the damage.
+ Spiritual Weapon conjures a floating, flying translucent weapon that can be moved and swung on subsequent turns as a Bonus Action (including the turn when you cast it).  It moves 20 feet, and it can't be hurt (can't flank, mind you, but it passes through objects and creatures).  It also deals Force damage, which a lot of our monsters aren't resistant to.  Plus, it is one of the few spells in the game that adds your Wisdom Modifier to the damage.  Best part?  It isn't concentration, so it's a perfect cog in your machine; it stays around for its duration - a lever you can always pull once it's out.

+ Toll The Dead is a cantrip that does more damage to enemies that have already TAKEN damage.  It requires a Wisdom Saving Throw to avoid the damage, but on a success, you're rolling 1d12 of necrotic damage.  (if they are uninjured, it's 1d8).  Counterpoint - a creature suffering from Bane is easy to gang up on with this spell in tandem.

Subsequent Turns - keep yourself out of direct damage lines to avoid concentration checks, and keep knocking them out one by one from a distance.  If you have the spell slots, use Command (1st level) to knock out an enemy for a round.

TURN 1 - *;  pop Spirit Guardians (concentration) for the field, with you at its center.  Then wade into range.  Sorry, my fellow DMs.
+ Spirit Guardians summons a 15 foot sphere of spirits (you at the center, 10 feet out surrounding you).  This field requires enemies entering it (like when you cast it) or starting their turn there to make a Wisdom Saving Throw.  On a failure, they take 3d8 radiant (if you're good) or necrotic (if you're evil) damage.  On a success, they still take half damage.  This spell is arguably the most effective radial chip damage in the game.  By now, your allies are beefier than early game, so switching to an offensive concentration, again, ends the fight faster.  And casting it even one level above 3rd, will give you an additional 1d8 per level to the damage (4th is 4d8, and 6th would 6d8).  Remember, they still take half damage on a success, so if they're in the range, they're guaranteed getting hurt!   
​
TURN 2 - *; use your Bonus Action to cast Spiritual Weapon at the highest even spell slot you can afford (I mean it, I'll explain in a moment), then use your Action to Toll the Dead on that unfortunate soul.
+ If you cast Spiritual Weapon at an even spell slot above 2nd level, it does an extra 1d8 of damage per even level.  So, if you cast it at 4th level (which you gain access to at character level 7), it deals 2d8 + Wisdom Modifier every round you swing it AS YOUR BONUS ACTION.  Baller.  6th level = 3d8, 8th level = 4d8.  That's not nothing, and it perpetuates.  However, if you have defensive spells ready to go that use those even spell slots, buff the party first.

+ By now, Toll the Dead is dealing 2d12 of necrotic damage.  Given that most offensive cantrips for the cleric require saving throws, and it's got a long range, this is still an effective slam for damage output.

TURN 3+ - *; you are officially online.  If your allies are being forced to make a lot of saves and failing, it is still worth it to drop Spirit Guardians to bring up a higher level Bless (casting it at higher levels grants the effect to more creatures).

+ If YOU are under direct fire, it is also worth it to try the following "hack":  Use your Bonus Action to cast Sanctuary on yourself (it forces enemies to make a Wisdom save in order to swing at you), then take the Dodge Action (leaving Spirit Guardians active, and Spiritual Weapon waiting to be triggered).  As per RAW (Rules-As-Written), Spirit Guardians is a spell that was cast prior to Sanctuary, so its damaging effects are already in play, and therefore would not break the Sanctuary effect (if you attack, directly damage a creature, or cast a spell on a creature).  Coupled with Dodge, IF the enemy beats the Wisdom Save, they still swing with Disadvantage due to you Dodging.  If/when you are no longer a main target, use your Bonus Action to swing the Spiritual Weapon, breaking the Sanctuary, and return to business as usual.  [If your DM won't allow this in RAW, taking the Dodge Action while you bop enemies with your Spiritual Weapon is still super effective to buy time].  

IF THINGS GET BAD
+ Word of Recall is one of the best GTFO spells in the game.  Period.
+ Channel Divinity is your Superpower.  Twilight Clerics use Twilight Sanctuary, which buffs their allies with Temporary Hit Points that scale well (and if they lose them in the duration, they can get more) and end debilitating effects like Charm or Fear on them.  It also lasts for 1 minute without Concentration, so it doesn't interrupt the machine.  Look at your additional Channel Divinity options for your Domain to consider your "superhero moments."
+ Heal (6th level) has other benefits.  On top of healing 70 HP, the creature is cured of Blindness, Deafness, and any Disease.
+ Mass Heal (9th level) is freaking amazing.  700 HP divided as you like within range.
+ When you need someone up and completely reset, Power Word Heal is your jam.  9th level spell to heal a creature up to their full HP and end any charm, fright, paralysis, or stun condition immediately.  They can also use their Reaction to stand if they like.
​
STACKING THE MACHINE
Once you are online, stacking your machine with other spells becomes a mini-game in and of itself.  When and how to debilitate foes while still smacking them around with your Spiritual Weapon and Spirit Guardians is kind of bonkers.  Some spells to consider (with warnings and recommendations).
GUIDING BOLT (1st) - Clerics aren't big damage dealers, so Guiding Bolt helps us feel powerful.  If you hit, it's 4d6 radiant damage, with a temporary boon - the next attack made on the creature has advantage.  Great way to setup the Rogue.  Honestly, though, if damage is your goal, might I suggest:
INFLICT WOUNDS (1st) - nothing complicated.  Melee spell attack, 3d10 necrotic damage.  BUT, every spell level you cast above 1st adds another 1d10.  You can do 7d10 with a 5th Level spell slot.  When you need to take somebody out, THIS IS HOW YOU DO IT (also, it's an Attack roll, meaning it can CRIT).
GUARDIAN OF FAITH (4th) - a great "salt in the wound" effect stacked on top of Spirit Guardians, the Guardian of Faith floats in a fixed point.  When enemies enter its range (10 feet), they have to make a Dexterity Saving Throw.  On a failure, they take 20 radiant damage, or 10 on a success.  The Guardian is 10 by 10 and spectral; put him right on top of you, and his range equals that of your Spirit Guardians.  Only downside is that the Guardian vanishes once it has dealt a total of 60 damage (but at least it didn't burn your Concentration!) 
HOLY WEAPON (5th, C) - imbue a weapon, like that of an ally, to have them deal an extra 2d8 radiant damage when they hit with it.  You can also choose to end the spell and have it burst with radiance, which deals 4d8 radiant damage and can blind nearby foes.  It does, however, burn your Concentration (so there goes Bless or Spirit Guardians), but it DOES make your DPS offense just a little stronger.
HOLD PERSON (2nd) - devastating against Humanoids because it can Paralyze them, which means every melee attack has advantage, and if it hits...it CRITS! 
DEATH WARD (4th) - costs an Action and lasts 8 hours.  Put this on an ally, and if they drop to 0 HP, they instead drop to 1 and the spell ends.  An excellent insurance policy on an unlucky ally that buys you some extra action economy.
BLINDNESS/DEAFNESS (2nd) - though Constitution saves tend to be pretty strong, a Blinded opponent is a major boon in your favor.


I hope these recommendations add fun and flavor to your table.  
Happy Healing!
-Adamus

And I wouldn't be so defensive if actual, multi-billion dollar studios weren't weaponizing their fans against each other, gaslighting their audience trying to rewrite history (looking at you, Woman King and Cleopatra the "documentary"), or accusing their audience of racism or sexism just for not seeing a bad film.  If a film looks bad, I won't see it, regardless if it's lead by a female ensemble (Ghostbusters, 2016).  Make a good film first, focus on your checkboxes later.

This roiling landscape of shifting blame and shattered integrity, gaslighting and gatekeeping, crushing otherwise decent humans for the simple sin of not being interested - terrifies me on the grand scale of the entertainment industry.  It is rare to find something without an agenda.
  To which you reply, "It's entertainment, everyone has an agenda!"  And yet, in the quiet corners of Hollywood, far from the bastions of scandal and woke, we get a Top Gun: Maverick - a film that makes no promises other than to be entertaining (and it delivers).  Or a masterpiece like Puss In Boots: The Last Wish - a beautifully animated fairy tale with a lot to say on life, death, and happiness, if you just take the time to watch it.  And though it was released before this string of years that feel like an eternity burrito wrapped in guilt, Spider-man: Into the Spiderverse is STILL lauded as one of the greatest animated films of all time.  No messages or agendas...just stories.

And that is why I am so sad for Hollywood.  The mainstream studios are precise and ironic examples of having so much potential, literally BILLIONS of dollars in resources, and not knowing how to use them.  Disney walked into Star Wars without a plan, and it SHOWS.  How embarrassing for them.  How shameful.  After decades of entertainment, the execs didn't think far enough ahead to avoid becoming a laughingstock in the industry.  
  Disney's stock dropped by 50% and HAS NOT RECOVERED.  If you feel the same as I on their business practices, we could literally collectively buy them out, and start over.  It is baffling the rate at which the fandom has turned on Disney and others like them; no matter the remaining projects, it is clear that one of the biggest studios on the planet is mishandling a beloved franchise, and burning the other to the ground.

Remember, inclusion and diversity are not a bad thing.  Vilifying specific groups to raise up others...is.  
Thor is now a moron to laughable levels to pave the way for...Taika Watiiti?  Valkyrie?  I actually don't know.  Just seems mean-spirited for no reason.
Loki has been reduced to a moron to make way for Female Loki (Sylvie).
The Mandalorian has been reduced in intelligence, agency, and resourcefulness to make way for Bo Katan.
Hawkeye is a side character in his own show (even though I like Kate Bishop).
Bruce Banner, a literal genius, who has gone through over five films of character development and personal growth, is reduced to a montage of jokes and outclassed in every way by She-Hulk because "Go Women," I guess.

The list, unfortunately, goes on, and the House of Mouse's hate boner for their legacy characters is baffling.  It's also COMPLETELY UNNECESSARY.  You don't have to diminish or destroy one character to lift up another.  You can retain and respect where a character has come from AND usher in the next generation.  That way, you don't alienate fans.
  Instead, what we're getting is a push too hard and too fast toward certain "woke" ideologies to the point of brow-beating, scolding, and pandering.  As if we should all feel bad for liking Phase 1, 2, or 3.  That because we identified with a flawed character who grew over time (ya know, with an arc), that we're "part of the problem."  That if we can't connect with a flawless, superpowered, rude heroine that belittles and conquers the weak men around her with little effort...then we're just sexist, and should shut up.
  This is backfiring while these studios double down.  It is appalling, and a complete waste of time.  Better scripts, better films, better plans.  That's how you win us back.  I will not be guilted into watching a crap product.

​Most of what I see, I'm not excited for.  I don't look forward to many films.  The system is currently broken.
But there are glimmers; rays of possibility, stretching outside the echo chamber to actually make art again.  And, as I've stated, that is one of our fundamental truths.   

Thank you for reading this long.
Stay safe out there, nerds.
-Adamus

In 2002, shortly after wrapping filming on Harry Potter and the Chamber of Secrets, acclaimed Irish Actor Richard Harris passed away.  Known for numerous rolls dating all the way back to the 1950s, Harris was fondly remembered in his later years for his stoicism and calm, commanding presence - most notably featured in his roles as Albus Dumbledore and Marcus Aurelius (Gladiator, 2000).  His fellow actors mourned his loss with reverence and respect.
  In 2004, Harry Potter and Prisoner of Azkaban released and Michael Gambon took on the mantle of Albus Dumbledore.  He received expected criticism and praise for his rendition, and he did his best to honor the groundwork laid by the late Harris.  The collective audience also mourned Harris, and we understood; it sucked, but the show must go on.
Actors are people.  And sometimes those people die.  

Characters are immortal.

On August 28th, 2020, accomplished and iconic actor Chadwick Boseman passed away.  Unbeknownst to the larger public, Boseman had been battling colon cancer throughout most of his career.  His charisma and professionalism was intoxicating on and off the set, landing iconic roles of heroes real and fictional alike.  Most notably before his death, Boseman was instrumental in bringing a faithful and powerful face to Black Panther in 4 films, one of which his own flagship.  
  Black Panther both as a film and a character were startlingly successful.  Not unlike Robert Downey Jr., who no one could see as anything but Iron Man, many people had cemented Boseman in the role of Black Panther.  At the eve of his death, amidst the mourning, came the question: Who would replace him?  The character's story was meant to continue - who could wear the mantle?

But in Modern Hollywood, actors are intrinsically bound to their characters.  If Boseman weren't around to play him, then there would be no T'Challa.  
  Now, comics offer storytelling branches too numerous to count.  Ways to lift the mantle of Black Panther and place it upon another; these stories do it all the time.  The character of Shuri (played by Letitia Wright), for example, takes on the mantle at some point in the character's history - so this is certainly an option, and, spoilers, is precisely what happened.
However, in the 20 years between Harris's death (who was beloved as Dumbledore) and the release of Black Panther: Wakanda Forever in 2022, something fundamentally changed.  I think Wakanda Forever still did its best to honor Boseman and what he brought to the character...but something just didn't sit right about it.

Actors are NOT their characters.

In Star Trek: Beyond (the third film in the Abrams reboot franchise), the character of Hikaru Sulu was shown to have a husband and a daughter.  It wasn't a big deal in the film, just a few passing shots, but it struck a strange chord with people.  John Cho, the new Sulu, leaned into the idea without issue.  However, the change was in homage to George Takei, the original actor known for the role, who is now openly gay.  Thing is, Takei calls the adjustment, "unfortunate."  Hikaru Sulu is canonically straight in the original Star Trek series.  To make him gay just because the original actor is, is weird and misplaced.  In fact, Zachary Quinto, who plays Spock in the reboot, is openly gay, but his character is in a heterosexual relationship with Nyota Uhura.  The former is strange, the latter is fine.  The difference is in blurring the lines between actor and character.
  Now, it's a reboot, so romances, sexualities, even genders can be changed, swapped, whatever.  It is not, inherently, a bad thing.  But it did set a strange precedent.

I wonder sometimes on the parasocialism of television and film.  How engrossed some of us are in the visions depicted on screen: who is acting, who they are, their lives and struggles, separating them from the character they portray, or mixing it all together.  When a portrayal really connects, do we unconsciously place an undue weight upon it?  We enjoy them so much, that if they were to ever leave...it would be akin to a death in the family.  And that to live through that pain would fill us with fear that we may never connect in such a way again.
  I understand the difference between life and fiction.  I grew up in the theater - I was an understudy often, stepping up and stepping in when others were sick.  I did scene work, and props, and sets.  I sang backup, I sang lead, I harmonized.  Portrayals change all the time.  Each one is a gift and a curse, and each one I welcome.  
There is a nuance to acting, and there are many actors.

Am I sad that Chadwick Boseman left us?  Absolutely.
Do I think he is the only person on this planet that can play T'Challa?  Absolutely not.

And I am concerned about the death grip that some studios tighten on actors for the characters they play.

For 17 years, Hugh Jackman depicted the role of Logan/Wolverine in all X-Men films.  His star power became the key draw to the franchise, launching the character to center stage.  After Logan (2017), it seemed that Jackman could put the character to rest.  Currently 54, Jackman had been undergoing intense physical training just to MAINTAIN the strength and aesthetic of The Wolverine, which has only become MORE insane as time has gone on.  
  Jackman, during a late night talk show after Logan's release, was asked how he achieved the "ripped and beaten" look of his character, to which Jackman replied, "Well, there's thing called dehydration..."  I laughed, but the audience was silent, so Jackman continued to explain to the idiot audience that he would DEHYDRATE himself to the point where the layer of moisture in his skin would deplete, so we can see all his muscles.  The extra bit we don't get in the interview is the fact that he would act in his scenes and then take a tiny thimble of water so as not to PASS OUT.  (the male fitness standard for Hollywood is mile-high stupid)
  Not until the announcement of Deadpool 3 did we think Jackman would return.
But here's the thing: Wolverine is a character.  What happens when Jackman is really done?  Can the mantle be passed?  
This viewer hopes so - give the guy a break, would ya?  Let him drink some water, too.

When Robert Downey Jr. announced his last hurrah as Tony Stark, his character was killed.  When Chris Evans moved on from Captain America, his character passed away.  I don't know if that's an act of respect, like "no one could replace you," or an act to avoid the vocal minority of a fanbase that grew too attached.

Or MAYBE.  We just need a break.  Steve Rogers and Tony Stark had one hell of an arc; no question.  Endgame put a powerful, and graceful bow on that.  I'm pretty satisfied with it.  AND.  If they were to return, could I see another actor wear  the shield or put on the suit - unequivocally YES.

I just want to make sure that our actors can be ACTORS first, and characters when they want to be.  It is our job as audience members to keep them separate; they have lives too, and we would want to grant them the grace we all deserve.  To step down from a role, to pass the torch with a blessing, to keep their lives separate from their work, and to pass on with peace and grace.

I don't know what my point is today, or tomorrow, but thank you for reading.
-Adamus

ARE.  YOU.  SERIOUS!?
  Not to sound ungrateful, but let's break this down.
Eldritch Strike sounds nice on paper.  Hit a dude, they have Disadvantage on a Saving Throw from a spell YOU cast before the end of your next turn.  That's nice, I guess.  Snag Hold Person and you've got a clutch setup for you and your allies; in fact, because you can switch up the order (in most cases) of your Bonus Action and Action economy, you can achieve this debut in the same round.  ...Still only hitting once, though, as that Bonus Action.
Arcane Charge is pretty nifty.  Wreck somebody sideways, then teleport to another across the battlefield and do it again.  That's cool - I admit it.  Still feels like something's missing, though.
Improved War Magic - at 18th level, you can now cast a Spell (which you've been doing anyway, maybe), and attack ONCE as a Bonus Action.  FACE.  PALM.
*Not featured in the screen cap is a neat little flavor perk where you can call your weapon to you as a Bonus Action.  ...More on that later.

Talk about a lackluster reception, and it isn't for lack of players trying.
  The flavor text of the Eldritch Knight sounds like the BEST TIME playing as a Fighter.  The versatility of low-level Wizard magic and blasting power, and all the standard Fighter perks, plus more Feats than anyone else (so customization options).  I've had a few players go for this build, only to be sorely disappointed by the extra features, to the point that they RARELY used their arcane abilities, defaulting to vanilla fighter most of the time (you know, the one that can attack eight times in a round?).
So without sounding too verbose or long-winded, I propose the following adjustments:  

Let's address the first Treant in the room - War Magic is downright mean to the Fighter's primary ability set.  Just swap it around.  Change the language like this: "Beginning at 7th level, when you use your Action to make a weapon attack, you may cast a Cantrip as a Bonus Action."
  "But what about spells that have a casting time of 1 Action!?" I hear you scream.  
Don't care.  Sorcerers get Quickened Spell, Eldritch Blast fires multiple separate rays, and Fireball has been around for three levels.  Get over it and let the Knight swing their weapon into a skeleton twice and rock a Firebolt on the sabertooth tiger gnawing on your Cleric.  It's their job - let them do it.
  And later, just upgrade the Bonus Action to a spell of 1st or 2nd level.  Yes, you're effectively "quickening" those spells, but the Fighter still burns their VERY LIMITED resources in the form of spell slots.  By 18th level, they hold no ability to be a more effective Wizard than the Wizard, but they CAN hit 3-6 times a round and unload a Hold Person beforehand.  Don't lie to yourself, you WANT that on your side.
Side Note: if you REALLY feel like they should sacrifice more to get that spell off, have them lose ONE of their attacks.  But not more than that.

  These tiny adjustments I ensure will make your Eldritch Knight more effective, exciting, and FUN to play, while still honoring the spirit of its origin.
For every failed dynamic, I used to throw myself into a complete overhaul of a class or archetype, or worse, made my own; flawed and devastating in ways I could never have imagined - all in an attempt to fix what was only minutely broken.  Grace (and age) have taught me that subtle adjustments carry the most elegance, and truly make all the difference.  

There ya go.  Eldritch Knight to Eldritch King.
You're welcome.
​-Adamus

These proposed adjustments, though allowed at my tables, are indeed HOMEBREW.  Be sure to ask your DM for approval before utilizing them.

The monsters of Dungeons and Dragons sometimes fall into the swirling cyclone of the diametric.  Two sides of an arcane coin, unequivocally linked to one another.  Some grow out of opposition, while others are twisted transformations of one - a dark miasma of spitting fire and screaming madness.  
  With all my talk of pendulums swinging and balances shifting, my lens lingers on creatures of this influence.  They are fascinating to consider - beyond our stats and alignments, to explore the STORY of their nature and what gives way in the imagination's gates when you do.

  The white winged horses known as Pegasi soar through moon-touched skies, a vision of grace and majesty.  When glimpsed by mortals, they linger only for a moment, touching down for a drink from mountain springs or crystal lakes.  Intelligent and vigilant, any sound or sign from the local wildlife will send them back into the safety of the clouds above.

Born in dens of starlight in the realms of Arborea, the overwhelming positive good of a newborn Pegasus would spill out into the astral sky, alighting new stars and sending the nearby plants to bloom.  An equine marvel hatched from an egg, a Pegasus embraces flight almost immediately, its feathered wings glinting with astral efflorescence.  
  Pegasi nests are commonplace in Arborea, and the wondrous sentience of the creatures makes them loyal mounts to the Seldarine - the pantheon of Elven gods.  Faster and calmer than any wyvern, a Pegasus must be persuaded to serve their rider, entering a partnership that can last millennia.  The Seldarine will sometimes send Pegasi to the Material Realms to aid their followers or serve as messengers of their will, but depending on the forces in play, sending these faithful creatures has its own risks...

A visage of hellish terror, a Nightmare often appears in a cloud of roiling smoke, its mane, tail, and hooves wreathed in fire.  The creature's onyx form moves with a wraith's speed, vanishing into the night in a burst of brimstone.  
  Though it can be ridden by the occasional antihero on a redemption kick, the Nightmare is a prime mount for creatures of exceptional evil.  Demons, devils, death knights, and liches all call this fiendish horse a steed, and many more repugnant souls seek to claim their own by summoning one from the Lower Planes.  Thing is, if you don't feed that hell horse a worthy sacrifice upon its arrival, it has no reason to stay loyal to you.  A good many cultists have been burned to a crisp due to this small omission in the fine print.

This is where things get interesting.
  According to Dungeons & Dragons canon, a Nightmare isn't BORN, they are MADE.  It takes a dark ritual involving the torturous removal of a Pegasus's wings, the more brutal the better.  Literature is mixed, but the theme here is cruelty; the slower and more horrific the removal, the greater the Nightmare produced.  And this isn't a bait and switch situation; the Nightmare IS that tortured Pegasus, driven insane by brutality and dark magic. 
t's sick.  And I kind of love it.
  Because this relationship raises a few pathways that I want to consider:
First, the inner circle of the Seldarine would be indirectly responsible for the creation of a Nightmare in most cases, as these dark rituals often take place at the hands of mortals - or those directly tied to them.  To send a Pegasus as an avatar of the Seldarine opens them to possible capture through dark forces, perpetuating a dangerous silent war of astral attrition.  How insane to fathom an Archfey riding into battle only to come face-to-face with their old trusty mount, twisted by darkness and brutality.  
Second, the Nightmare retains the intelligence of Pegasus form.  This is no mindless beast bent to one's will, and though the rituals require sacrifice to link the mare to the rider, I would venture that a mental or verbal bargain is still required.  In fact, I could see the maddening steps of a certain ritual play out deliciously - fool a Pegasus into believing it is making a heroic pact and companion, only for the creature's true nature to slowly twist the poor being into its Nightmare; like a frog slowly boiling in the pot.  
  You're not breaking down a pet, you're convincing a sentient creature - this requires more nuance.  I like to think that every Pegasus has a name, a personality; hopes, dreams, goals, not unlike a heroic PC.  How does one twist and manipulate a hero into becoming a villain?  If the Star Wars prequels taught us anything, it was how NOT to portray one's turn to the dark side (sudden is bad writing) - what if this process could be more insidious?  Slow and manipulative, with a grand payoff.
Finally, the monster lore stated that the more brutal the shift, the STRONGER the Nightmare.  Which pulls me down the jackal hole.  If you have a particularly twisted or prolonged "ritual", could you create a "greater" Nightmare?  I'd imagine that Pegasi under the Seldarine would make names for themselves similar to their heroic riders.  Perhaps the greater the renown, the harder the fall.  Such a change might yield something along the lines of a Night Terror (or "Knight Terror"); the twisted mirror of a once great heroic steed.
  And if this is possible, could a Nightmare be redeemed?  Perhaps its flight is never restored, but its good nature and starlit white coat, with blue fire for its crest, restored.  What story could that creature tell?

As I research, I leave you with one more idea through the ether.  A Nightmare canonically can pass through the Ethereal Plane, carrying its rider and several others along for the journey.  Imagine what it sees in the mist of the dead.  Old soldiers failing to pass on?  The spirits of lingering beasts and the wisps of old sages?  Or do they see themselves...the Pegasus inside, a haunting specter of their past life. 
And does a Pegasus dream of its other possible lives?  Does its innate senses of fate and danger paint the picture of its dark future, its Nightmare, in cool reflections of mountain springs.  

The pendulum swings.  
Take care, lovely people.
-Adamus