Obi-Wan Kenobi had some problems.  Let's talk about it.

(Spoiler Warning for: Seasons 1 & 2 of The Mandalorian, Season 1 of The Book Of Boba Fett, and Obi-Wan Kenobi)

There is a term in film referred to as Chekhov's Gun.  It is a dramatic principle coined by one Russian playwright, Anton Chekhov.  It states that all significant details introduced into a story should serve a narrative function, and irrelevant elements should be removed.  Elements that never come into play act as "false promises" to the audience, eroding their trust and enjoyment.
  Now, Kenobi is pretty tight for its runtime, and does a decent job in setting up elements to be used later.  A Jedi's entire power set is a framework for Chekhov's Gun.  Show them studying a new power?  It should show up later in an impactful way.  They retrieve their lightsaber?  They better pull that sucker out when it matters.  
  And it works for everything.  Want a character to have an impactful, dramatic sacrifice involving a thermal detonator?  Show them clipping that detonator to their belt, or talking about it.  A character mentions their undercover experience?  Time for an infiltration!
  These aren't cheap tricks.  It's filmmaking 101.  A more broad term for this is Setup and Payoff.  If you introduce an element, there should be a satisfying payoff for it.  Time isn't usually a factor - some elements play the long game, some are a few seconds of sequence.  A change of lighting can be its own setup, and the flare of a blade summoned into being is the payoff.  Subtle and elegant, loud and obnoxious, it fits all types.  
  But you have to plan for these things.  It requires time, practice, and follow-through.  Unfortunately, it seems, Disney built many setups and either haven't paid them off yet, or forgot about them altogether (and considering there's no real reason for a Season 2, my money's on the latter).  
Below you'll find a few instances that stung - wonderful setups with either no payoff, or something less than satisfying:
1. In the first episode, we're shown Kenobi slicing meat in an assembly line and walking down the line to get his wages.  The poor guy ahead of him notices that the wage is half from the day before, but the boss is aggressive about it, so he just takes it.  Kenobi watches, gets his pay, and doesn't cause trouble.  My thought: Kenobi's in a dark, repressed place, but he's a good guy; maybe he'll check up on that guy's family later and send them some food that he caught in the wilds, or we'll see him back on the line at the end and he sticks up for the guy, using his Jedi Mind Trick to help out the workers subtly.  REALITY: we never see that old gentleman again.  Can this still work to illustrate Kenobi's state of mind on the surface?  Of course!  But it feels like a missed opportunity.
2. Somewhere near the middle of the run, Leia gets captured, threatened, and then strapped to some machine.  The Inquisitor gets called away, leaving two Stormtroopers to guard her.  Then the lights go out.  My thought: we're going to see a lightsaber blur into being just long enough to watch a trooper get cut down, the other's gonna' freak out and fire, either hitting his buddy and then getting a blaster bolt deflected into him or get cut down just as fast.  Kenobi's cut through droids and blast doors like butter before, this is going to look so cool!  REALITY: a blue lightsaber springs into being and clocks a Stormtrooper, bouncing off of him like a baseball bat (what?), then cuts him down in 3-4 swings.  The other guy, apparently too slow to notice or shoot, shouts into the darkness before Kenobi reappears and baps him around a bit before we finally see a streak through his armor.  My issue: Lightsabers don't behave like that.  They never have.  They deflect blaster fire, which isn't stopped by trooper armor.  They punch through blast doors feet thick.  Those troopers aren't my man Mando in bescar plate; lightsabers cut through them like butter.  This fact is compounded by at least three other instances where higher level soldiers are straight up STABBED THROUGH THE CHEST by a lightsaber, and a door is sliced open.  Just...why?  Stabbing's no big issue, but slicing's bad?
3. Our Inquisitor of spoilers goes by the name Reva.  She is ruthless, rageful, and trying hard to get that sweet sweet Grand Inquisitor title.  Turns out (SPOILERS) she's actually a youngling who lived through the purge at the Jedi temple.  She says she played dead, but it's unclear if Anakin just missed her or didn't deal a killing blow.  Reva has joined the Inquisitors and risen through the ranks in order to kill Vader herself; revenge for those he slaughtered during the purge.  Kenobi guesses this with previous clues and the two hatch a plan where Kenobi can get some rebels to safety and she can get her revenge.  My thought: Vader's coming and he's coming fast; I can't wait to see him wreck shop!  I heard that he can pull ships, so maybe he'll grab onto their runaway ship and Kenobi will resist him, which distracts him long enough for Reva to strike.  She'll get a few good hits in, Obi-Wan escapes, and then she's done for, but it'll be a poignant duel.  REALITY: Vader wrecks shop, ripping a ship from the sky faster than anyone I've seen, and starts tearing it apart like a cat on meth.  Then, a SECOND ship that we've never seen before lifts off at blinding speed and zooms into space (looked janky as hell).  Dude can sense everything, but couldn't tell that the ship he just turned into tissue paper was empty or that the one 5 feet from it had his old master.  So...after Kenobi and company are long gone...Reva finally makes her move.  He stops her, toys with her, it's not even a fight.  Then he stabs her through the chest and she dies.  What did she think was going to happen?  Kenobi gave her an opening and she didn't take it.
4. ...Reva doesn't die.  Lady gets stabbed literally through the chest by a freaking lightsaber and just...walks it off.  My thought: ...okay.  Well, maybe she can spin a little redemption and join Obi-Wan in the final battle; maybe she fights off the other Inquisitors so Kenobi can get to Vader!  REALITY: (In a move that feels like a quick re-shoot) Reva learns that Vader has a son on Tatooine, gets her broken ass up and over there in record time, BEATS UP UNCLE OWEN AND AUNT VARU, chases little Luke into the desert and makes him slip on some rocks and get knocked out, then draws her lightsaber with the intent to kill him.  ...Except she can't do it, she LITERALLY CAN'T.  So what stops her is that she sees herself in the boy and returns him to his family.  Not sure what they'll tell little Luke about his harrowing experience...  What a waste.

The most frustrating thing about these is that if someone just took some time and thought about the whole package, the internal consistency of their own series, took one more sweep in the writer's room...all of this could have been cleaner, stronger, and more satisfying.  In the end, it feels so rushed for something that needed to feel thoughtful and genuine.
  In a nutshell, episode to episode, the series still delivers on its emotional beats.  It does a lot of things VERY well (showing a galaxy actually occupied by troops, Imperial sympathizers, spies, and the beginnings of a rebellion), and our young Princess Leia has Carrie Fisher's tenacity down pat.
BUT.
Was it truly necessary to include Luke and Leia to this degree?

Luke's inclusion, from a distance, makes sense.  Kenobi and Owen are friends, or at least used to be.  By the time Episode IV rolls around, Owen wants Luke to have nothing to do with "old Ben", and Luke doesn't have any relationship with the guy.  He's supposed to protect from a distance and be a recluse; that makes sense.
  Leia on the other hand...  If she shared this beautiful friendship (and it is quite wonderfully done, mind you) with Obi-Wan Kenobi...then why does she feel nothing when he dies in Episode IV (it barely registers for her).  She knows OF him through her father, Senator Organa, but if this whole adventure happened in the first place, did she just forget all about him?  Do they visit, do they talk, do they learn of each other as Leia grows up? (if they're trying so hard to connect relationships, this one hits strangely for me, like we're missing something)
  And how does Luke have no knowledge of the force or lightsabers if a literal Sith chased him into the desert.  Now, Owen knew she was coming and told Luke that it was a Tusken Raider, and you could argue that perhaps he never saw the lightsaber, but again if THIS happened, other events don't add up.

Now a lot of these gripes and elements are the product of a changing landscape and an expansion of creative content.  Not everything can line up perfectly all the time, wrapped up in a nice neat bow.  I should be happy we got the show at all.  And, considering that what they're connecting is nearly a 50 year span of creative content, including sweeping changes to film and television technology, how we consume and discuss media, and how companies react to those discussions.  
And yet...
  

  WHAT IF YOU JUST DIDN'T INCLUDE THEM?
The show is about the Inquisitors hunting down Jedi and Vader seeking Obi-Wan Kenobi.  It's about Kenobi's realization that Anakin is alive, but actually dead, and that the idea of Vader killed what he once was.  It's about their clash, and Kenobi's rise from a man in hiding back to a Jedi Master.  It's about him subduing threats to himself and the boy quietly in the sand, or across the galaxy in the forests of Alderaan.  I am here for THAT story; where he can never find true connection, but must protect while he struggles with his guilt over Anakin.
Sure, Leia did great.  Props to her.  Excellent performance.
Sure, Leia's new droid will sell a million toys.  It's adorable.
Sure, Kenobi and Vader's duel will elevate other Star Wars content because it really was that good.
It just didn't push any boundaries.  Everyone acts the way you expect them, lines written that we've heard a million times before, and outcomes that MUST work out...because other content exists.  The need for Disney to CONNECT every piece of their Star Wars universe has pushed them into difficult corners.  For now, we can shrug and let it go.  But how long can they do this before they have drained every last ounce of story from known characters and they must (GASP) head in a new direction?  (let's hope they actually plan it this time)

It was good enough.  
It was safe.
And not very interesting.

May the Force Be With You.
Always.
​-Adamus

Star Wars has no business being this good.

With the critical miasma of divisive reviews flooding the airways after The Last Jedi and The Rise Of Skywalker (whatever your personal opinion), this franchise has been in desperate need of a new energy.   ...Which is precisely what "Visions" provides.  Where the franchise shines is in short vignettes; self-contained stories in a multitude of styles and directions.

The Mandalorian made us love Star Wars again, and reinforced the idea that it was a world we wanted to explore outside of a main cinematic experience.  This animated anthology is the next logical step in that exploration.

When the Animatrix came out, Warner Bros. pulled out all the stops.  They drew in absolute giants of the anime field; VISIONARY directors and animation studios, truly artful expressions and ideas - some directly linked to sequel bait, others just concentrated, intimate stories - that captured the atmosphere of the setting and respected its potential in storytelling.  
  Star Wars: Visions is precisely this approach.  Acclaimed directors and studios, some of the finest animators in the world, each striking their brush on this titanic canvas.  The vignettes and snap-shot stories they produce play with concepts and ideas already expressed inside this universe, and stretch the boundaries of what becomes possible within each frame.  In a word, these stories are BEAUTIFUL.  Striking, kinetic, magnificent, and driven.

It's worth noting that these tiny stories are considered non-canon, and I think that's freeing to the artists.  No one has to worry about tying anything into anything, so creators can explore more deeply the vibrant and weird of their own interpretations.  And things certainly get WEIRD.
  They also get mega badass.  From the first vignette (The Duel), you know you're in for something special.  An artistic style thrown back into the realms of the Seven Samurai - black and white cell-shades where the only color is electronics and the glow of a lightsaber; I was ENTHRALLED.  
  Based on visuals, I actually expected the violence to be a bit more brutal, but it's Disney+, so we ain't getting that here.  In fact, if I may, some of our stories DID suffer from their "stream-ability".  Each episode is about 24 minutes long, and while some stories filled that time easily, many others carried with them a strange sense of FILLER.  It makes me think on Disney's first and second season of Short Cuts - 90-second short films by a menagerie of directors and artists within Disney's animation teams.  So much story-driven information had to be conveyed in such a short time and even some of those felt too long, or not long enough.  Restriction breeds creativity, yes, but when you have MORE MONEY THAN GOD, maybe you could stretch some of those bindings; give time where it is needed and trim it where it is not. 

Though the nine stories have a dread fascination with Jedi (I mean, seriously, could somebody just NOT be force-sensitive for once?), they definitely understand how a lightsaber is supposed to work.  Blades slice through metal and stone, clash against each other, pierce through armor, and cut through droids like paper.  Each short sets up its expectations, and stays consistent in the rules of the world (unlike Kenobi, that is - marvel as the old Jedi Master swings a lightsaber like a bat and it BOUNCES OFF stormtrooper armor, but then it deflects blaster fire and THAT pierces trooper armor; not to mention that sabers can easily pierce through blast doors...rant subsided for now).
  This anthology plants a highly specific, binding seed of specific knowledge across every vignette: Crystals - the essential component of any lightsaber, each with their own colors and qualities - apparently denote the morality of their wielder.  In terms of lore canon, this ALMOST fits.
Each crystal is supposed to have a different color; every game, novel, and comic confirms this.  With over 60 to choose from, there are a lot of possibilities, and though each had mechanical benefits, ANY could be used to construct the blade due to the versatility and elegance of a lightsaber's design.  However, to my knowledge and research, no mined crystal produces a red beam; red was built from a SYNTHETIC mock-up of a crystal.  Something to save on cost and overclock power.  In recent lore, it is posited that the energies of the Dark Side corrupt and disfigure a crystal within the hilt, turning it red.  Every Sith villain in the canon rocks that red lightsaber, yet we don't see any corruption take place (something I'd LOVE to see, or the inverse of a redeemed Sith); often they just get a new one and it's red.
  In Visions, each of the nine stories holds to a purer idea: the Crystal reveals the true nature of its wielder.  It is the narrative's lie detector.  Somebody's all kind and cool?  Oops, their blade is red!  This person's kind of a jerk?  Except their blade is green, so they must be a double agent!  It's a color wheel of morality, and it is utilized in some fun ways.  
Not sure if it's a little too "on-the-nose" though, at least moving forward.  For Disney, it's a device to clearly illustrate who we're rooting for in a dance of robes and lasers, but for me, an adult, I might be craving a little more nuance.  Like I said at the start, THIS IS NOT CANON, so let's go a little crazy.  Let's go deeper, ask some bigger questions!  Not everything needs to be so black and white, or red and blue/green/yellow/purple/orange/white.  (next blog I'm going to don my nerd glasses and go deeper on this whole blade color thing...)

Every story here is DRIPPING with iconic style.  The animation studios pulled out all the stops to craft a memorable work of art.  So you're not here all day reading about me gushing on this, I'd like to talk briefly about each one:
1. The Duel - set in an alternative timeline reminiscent of feudal Japan, a Ronin comes to the aid of a village ravaged by bandits.  "Vintage" black and white cgi where color pops through lasers and electronics, this is a masterclass in shading, light, and taking your time to build tension.  Fun fact: this one is so good that it's getting its own graphic novel and full comic series!
2. Tatooine Rhapsody - during the Clone Wars, a Padawan becomes a rock star in a world run by dangerous Hutts.  Frenetic and energized animation, injecting some vibrant comedy after that first episode.  Not gonna' lie, I wasn't engaged with this one on the first go around; maybe it felt like whiplash from The Duel, or maybe it was little too juvenile for my tastes.  A second viewing did better. 
3. The Twins - in the remnants of the Empire after The Rise Of Skywalker, two force prodigies battle over the decision to annihilate a planet.  This one was WILD.  Reminded me a lot shonen anime battles; the over-the-top Naruto fights with huge powers and pregnant pauses.  Anyone who has played The Unleashed games will feel right at home with how much power is displayed on screen here - they're fighting IN SPACE, on top of a Star Destroyer.  It's pretty nuts.  Pay attention to this short's use of color and quick framerate, but be prepared for a substantial suspension of disbelief.  Can't explain it?  The Force did it!
4. The Village Bride - years after Order 66, a Padawan travels to a distant planet and comes to the aid of a village ravaged by bandits.  This one felt powerfully grounded, animation simple and efficient.  A coming of age story and another samurai vibe.
5. The Ninth Jedi - many generations after the fall of the Jedi, an old master invites seven Jedi to his temple to receive lightsabers whose design has been lost to time; buy spies are everywhere and not everything is as it seems.  ...This one is my favorite; it's clean, powerful, intense, and has a healthy number of twists.  Plus, and it's worth noting that the fight choreography has been great so far, but boy did I NOTICE it in this one.  I don't want to spoil, but it's real good.  If you skip the rest of the series, watch this one at least!
6. T0-B1 - A cybernetic boy, who dreams of being a Jedi, discovers a dangerous truth about his creator.  Gotta' be honest, I didn't like this one as much.  The art style has that Astroboy vibe, and overall brings some interesting concepts to life (it is quite cute).  I suppose after all these serious stories, it's nice to get a little kiddy.  Just not my mood (could be yours!).
7. The Elder - A Jedi and his Padawan pursue a dark and powerful presence.  Cut and dry Sith hunt; great tension, cool animation, straight-forward (style reminds me a lot of Avatar: The Last Airbender).
8. Lop and Ocho - A family is torn about what to do when the Empire encroaches on their planet.  This one features an unnamed race in the character Lop, a bunny-like fursona adopted into a humanoid family.  When the Empire colonize the planet and recruit, the two sisters come to an impasse and clash over the independence of their business.  Raises some neat questions about the families stuck in the trenches and makes this feel like a military occupation - like a war - and in war, there are consequences.
9. Akakiri - A Jedi returns to his forbidden love to help defend her kingdom from a Sith-like Shogun.  Animation style takes some getting used to and it certainly stands out.  Feels like a western wrapped up in sushi platter with a dash of True Grit with a twist; shaken, not stirred.  It wasn't what I expected, and was definitely memorable.

These stories were made through a love of Star Wars, simple and powerful.  They began to push the boundaries of storytelling, and open the setting to fans young and old, which is EXACTLY what Disney needs.  To explore droids as Jedi, expanding the racial lexicon of characters, redefining a force-user, and diving deeper into paths of darkness, death, and redemption.  
Glad we're getting a Season 2.  I'll keep holding out hope for a story about a regular Joe and Jill in this universe.
May The Force Be With You All.
-Adamus

Ankhegs are born by bursting out of the dead carcass of their father, eggs being implanted inside him by the mother during mating.  That's awesome.  From there, they grow to Broodling size and take nutrients delivered to them by their mother from the surface.  Within a year, they are big enough to leave the nest and burrow on their own, taking some time in their second year to shed their first shell and grow a second - during this time they're pretty killable, so they secrete a foul noxious smell.  Unfortunately, this can also make them easier to track.  Oops.
  A single Ankheg can rule a territory almost entirely unnoticed, snatching local wildlife and soaking up nutrients from the sun and ground as it hibernates.  Two or more Ankhegs will grow more aggressive over resources and will attack more frequently, drawing more attention to local towns and cities.  
  Their habitats can also cause problems to local infrastructure.  As little as 40 feet below the surface, with tunnels spanning upwards from 150 feet long, these winding burrows are known to rupture and cave in unsuspecting villages if left unchecked.  A single Ankheg's lair is one littered with bones and carcasses, with hollowed domes for hibernation or eating.   So imagine what that looks like with multiple bug-brains rooting around in the same territory.  They'll dig deeper and longer, and breed more; the cycle can devastate whole regions over a couple decades.  
  So, you know, always plenty of work for an Adventurer For Hire.

After centuries of seasoned adventurers hunting them for their hide, acidic pouches, and resistant carapace, Ankheg broods have been burrowing deeper into the annals of Ionian geology.  Only the most chaotic of scholars have glimpsed their extensive underground networks.  The information they returned with spells a warning and a challenge to any that dare cross the Sandsea Of Jakt.  
  
BROODLING - descendants of the ancient wyrm, the Broodling is a tempestuous child, often found in birthing sacks (made from the dead husk of a mated male) hung from nooks in winding tunnels of an Ankheg Den.  Fresh to life, their carapace is still soft, resembling that of a young prawn.  Trappers believe that their hide actually more valuable in this state; as it is pliable and hardens over time, able to be shaped into effective armor.  It is this reason that drives trappers and young bounty hunters into the deep cords...and the reason that some do not make it back alive.  
  Broodlings hang in pods of 6-12 at a time, and must be harvested quickly.  For once that pod breaks, all of them wake up.  They're fast, frenetic, and feral.  Their pouches still growing, they instead use their pincer-like teeth to punch through armor in quick jabs, dealing 1d2+1 damage.  They also attack twice in their birthing frenzy, a note of caution to anyone thinking this is an easy kill.  Now, yes, their AC is 8, and Hit Points negligible, but all it takes is a few good strikes to fell the party wizard.  Still, if you can nab even a couple of these little guys, you should be sitting comfortable for a few months, especially after they shed that first armored coat, and that might just be the price of a level 1 wizard.
​SOLDIER - the Soldier Ankheg is the most common iteration of the creature, the textbook example in all its glory.  Smarter and stronger than a Broodling, the Soldier Ankheg hunts for itself or its Alpha, consuming, scarring, or capturing prey to be consumed later.
ALPHA - an Alpha Ankheg is a rare sight for most skirmishes.  Superior burrowers, the Alpha communicates to its Soldiers through an evolved vibration frequency, pushing and pulling them toward potential prey.  Though not every pack will have an Alpha, those that do operate with effective tactics - they lay traps, set ambushes, denote threats, and retreat if overwhelmed.  
  An Alpha in the field is a frightening visage.  Huge in scale, an Alpha is identified by its acidic scarring upon the external carapace in long swathes, resembling streaks of petrified bark.  These stripes are strongest part of the Alpha's armor, immune to acid and fire damage.  The Alpha's breath is also devastating; due to in-fighting within the pod, an Alpha develops an expanded bile sack, called the Leviathan Pouch, which coupled with their secondary throat produces an acid cone 60 feet long.  The Leviathan Pouch also allows extended use of the Alpha's breath, netting it three expulsions before it needs to recharge its bile (Recharge on a D8, 7-8).
  Their chitinous plating weathered and tempered, only seasoned warriors dare go toe-to-toe with an Alpha.  Resistant armors, healing potions, and blades lined with sharpening oil are their best bets.  A friendly cleric couldn't hurt, either.
​PRIME - Prime Ankhegs are myths.  Said to be Gargantuan in size, those that theorize of their existence point to the ascensions of new Alphas, where a Soldier Ankheg kills a wounded or aging Alpha, and takes their place.  The Soldier can only assert this dominance if they too have evolved their chitinous plating, a process of battle and time.  They surmise that if a pack of Soldiers without an Alpha lived long enough and fought hard enough, that each could evolve into this "ascended" state.  IF such a pack existed and vied for dominance within itself, could it not produce something even more powerful?  An Alpha among Alphas.
Beyond this thought, speculations abound.  A leviathan of the earth, consuming whole buildings in its wake, its brood a nightmare upon the material world.  Perhaps this creature exists beyond the imagination and machinations of the world's scholars, the seed of an ancient phantasm planted; or perhaps they exist already, a mutated corruption growing in realms beyond...

Happy rolling.
-Adamus

Short and sweet and stupid this month.

THE AFFINITY RECIPE
1 oz Scotch
1 oz Dry Sherry
1 oz Port Wine
2 dashes Angostura Bitters

TASTING NOTES
​+ This seems like an odd thing to do to wine.
+ If you're not a wine gal, this might beef up the mix for you, but if you're like me and you like your wine sweeter, this may not hit the way you like.
+ Sherry and Port go well together, but the Scotch is my jam.
+ I recommend some Tallisker and maybe 4 dashes of Ango instead, just to add a little bite and character to the palette.

AFFAIR RECIPE
2 oz Strawberry Schnapps
2 oz Cranberry Juice Cocktail
2 oz Orange Juice
1 oz Sprite

TASTING NOTES
+ Personally, I'd swap the Orange and Sprite amounts.  There's enough citrus in here.
+ Also, it's freaking delicious.
+ You might find the tart of the cranberry a little distracting.  If so, just add more Sprite or Schnapps or both.

That's all folks.  Be safe out there.
-Adamus-

This month I'll share with you something I always keep in stock for myself.

As you get into this hobby, you'll undoubtedly try a cornucopia of unanticipated flavors.  Some will rest better than others, populating your ever-expanding web of molecular gastronomy and poor life decisions.

From these experiences, we settle on a few simple truths:

1. Campari is a waste of time and ruins almost every drink it's used in, even the ones where it's supposed to be the star.  Like a drunk Aunt that just can't seem to get past the idea that men can paint their nails and still bench 250.
2. Bad Irish Whiskey is basically dirty water.
3. People have too many opinions about wine, and sommeliers are guessers with better guesses than you.
4. Stella Rosa may be carbonated, but it's tastier and cheaper than your 20-year old vintage mahogany aged piss.
5. Midori ruined my childhood.
6. Fireball is better than you remember.  ...You're still drinking antifreeze, though.
7. Disaronno is the king's amaretto.
8. Jose Cuervo is garbage, liquid and business.
9. The existential dilemma of watching your hair fall out while every other member of your family rocks a full fop is a fate worse than death.
10. Viking Blod is a damn fine mead.

Viking Blod is everything I want out of a mead.
  It is warm in color and palette, and you can taste the fine honey notes.  They percolate at the beginning, middle, and end, and there is a subtle "wine" taste.  That latter normally wouldn't be my jam, but everything else is so good that I don't care.  In fact, after a glass or two, I don't care about much.
  This stuff is strong.  Clocking in at a whopping 19% (38 proof) per glass...  This isn't your momma's wine.  I appreciate a concentrated burst of efficiency.  If I want a tasty buzz while I sip, and I don't want to down a bunch of hard stuff, I can trust that a full wine glass of this and I'll be set.  Two in and I'm happily done; warm and tingly on the couch laughing at dumb anime and catching only snippets of Geralt's lines (god bless you, Henry Cavill).  Replace your dessert with this and you'll be dandy.
  If you're looking for this bottle of concentrated hopes and dreams, you can find it at more and more local wineries and liquor stores, and it ain't even that expensive!  

...that's it.  It's good.  Good day.
-Adamus

The abbey is a gin and juice vehicle, and you'll encounter many variations throughout your life.  Some splash in some sweet vermouth, others an ounce of citrus vodka, and still others a plethora of strange bitters.  The additions are minute, though, so as never to detract from the original orange identity.

RECIPE
​1.5 oz Gin (I recommend Tanqueray if you've got it lying around)
3/4 oz Orange Juice
1-2 dashes of Orange Bitters

TASTING NOTES
+ Gin has always been a match for juice.  Its citrus back-burn carries the sweet of the orange juice.
+ And just in case the orange juice hanging out in your fridge is the other side of decent, the bitters will breathe new life into the flavor palette.

This one's weird.  Please continue.

RECIPE
2 oz Brandy
1/2 oz Peppermint Schnapps
1/2 oz White Creme de Cacao
1/2 oz Lemon Juice
1/2 tsp. sugar
1 oz Club Soda

TASTING NOTES
+ This is a strange soda.
+ Mint and chocolate always go well together...
+ ...but the Brandy is a curious goose.
+ Lemon and Sugar go well with soda, producing a nearly Sprite sensation.
+ Does it all work together?  Uncertain.  Carbonation can sometimes serve as a great equalizer in this instance.  
+ The mini cocktail of Peppermint-Cacao-Lemon-Sugar is great in the soda, and might be fine on its own.
+ Brandy *might* pull you into a trans-dimensional wormhole.  Mint brandy might ground you in reality better.

The Acapulco is definitively an island drink.  Garnished with mint leaves and powered by rum, there's a sophistication to the addition of egg white, but no necessity.  Considering the use of triple sec, this can be pretty low-brow if you feel like it.

RECIPE
1 3/4 oz Rum
1/4 oz Triple Sec
1 egg white
1/2 oz Lime Juice
1/4 tsp. sugar
2-3 mint leaves
*Mix all but the mint leaves into a shaker, shake like hell, strain over ice in a glass.  Stuff in the mint leaves after the fact, and sip on the beachside of Glaz Dukot, the perfect cocktail to view the End of the Age.

TASTING NOTES
+ I have thoughts.
+ Egg White is mainly used to manifest froth in a drink, and though this works, I'm not sure I like it yet.
+ Triple Sec is fine, but I actually recommend Dry Curacao instead.
+ If you feel so inclined, swap out the sugar for a splash of Simple Syrup or Orgeat, and I think that will manifest something a little more special with the mint.
+ Lime works.  Don't use Lemon - that would be bad.  The Lime and sugar with the shake makes this *almost* a soda.

So as you take in the sights and sounds of a resurrected cthulhu kraken wreaking havoc across the ocean styx, I hope you can, at the very least, get a little turnt on the way to oblivion.  
Drink up, me hearties.
-Adamus

These little buddies are so intrinsically in tune with the magical world that I have taken the liberty to codify a few with magical persuasions of their own.  Sure, you'll have the standard pseudodragon flapping around your nooks and crannies and old libraries, but if you dig deep enough and scour long enough, you'll undoubtedly run into one of these variants.
  Illusory - Pseudodragons don't have a specific language, instead communicating telepathically simple ideas.  Those that are steeped in illusion magic has found a way to interpret the innate basics of their school to help communicate better, manifesting in a sort of "thought bubble" above their heads communicating more intricate picturesque ideas.  I just love the idea of a pseudodragon with an ellipsis over its head as it ponders, and then watching it blip back and forth between steak and its studies; the ultimate SQUIRREL moment.  :)
  Evocata - a little friend who spends a lot of time around battle mages and explosives can evolve into a combustion dragon.  Highly emotional, passionate, and excitable, an Evocata will manifest its core magic in explosive bouts.  Get too excited?  Fireball.  Or Fog Cloud.  Or Plant Growth.  Get too sad?  Cast Darkness.  Get protective of their master, their binky, or their new bestest friend that they've known for five minutes?  Ray Of Frost.  Or Finger Of Death.  You know, TOTALLY NORMAL reactions.
  The list continues, and I have a feeling the more I play with this concept, the more hilarious it will become.  Does a Cleric use her Pseudodragon as her own personal lie detector because it's infused with Divination magic?  Does a diplomat use his to win over a crowd because he steeps in Enchantment?  The possibilities abound!  
(and now my players know...good luck)

See you at the table.
​-Adamus
  

This month we take a look at three shots I've drafted and adjusted several times over and are always hits at the table.

1/2 oz Johnnie Walker - Song Of Fire Scotch Whiskey
1/2 oz Raspberry Liqueur
1/2 oz Lemon Juice

TASTING NOTES
+ Song of Fire is a bit more burnt than other scotches.
+ Raspberry smoothes this out, though.
+ ...and then the Lemon is straight up a slap in the face...like a Bane on your senses.
+ Luckily...the lemon is over quickly.

So get your dice out and prepare for an onslaught.
-Adamus

Let's get right into it.  Three recipes discovered from the archives, plus my take on it.  Use these simple recipes to warm your soul and keep the liquor cabinet well stocked.

My take on the Jack Knife doesn't add much, but what it adds makes it something just for me.
1/2 oz Jack Honey
1/2 oz Bailey's
1/2 oz Wild Turkey American Honey liqueur
​1/4 oz Drambuie

TASTING NOTES
​+ I like my whiskey with honey, so the double tap of Jack and Wild mixes well.
+ Bailey's is always a win.
+ The Drambuie just smoothes it all out.

Shoot well.  Never straight.
-Adamus

I've been running campaigns long enough that I've stacked up NPCs like Pokemon cards, ready to unleash them onto unsuspecting players.  Sometimes they work wonders, other times they suck wind through a straw.  Let's take a look at a few and see what I could have done better.  

Core Concept: Jedrek is a one-man army.  Built by a broken monastery as a final solution, a Blackweave monk wields the power of the broken weave.  Using his skin as parchment, a Blackweave covers himself in arcane runes and tattoos, each connected to an ancient power.  By engaging a tattoo, he can cast the spell that was inscribed upon him, wielding the cosmic powers of the lost tribes of wizards.  But once the tattoo was spent, the ink burns off of him, lost forever.
  A Blackweave can add permanent augmentations to his body by inscribing runes upon the skin, and burning them over 100 days.  These marks become infused scar tissue, sewn with residual power.  One can use this technique to add extra ways to manipulate their Ki, make their bodies more formidable, or make their minds sharper.
Version 1.0: A Way Of The Long Death Monk at Level 17, with a Level 14 Gunslinger as backup VS a party of five level 10 adventurers.  Low Con saves and lucky rolls on my end put the melee friends on the stun train pretty fast, but things got pretty close.  A Tattoo of Contingency - Revivify was placed on him as a last resort by his Compendium (the order branch), which saved his skin.  Using Step Of The Wind, he escaped, healed, and returned for his quarry, killing a PC and taking the body. 
  Notes: It was a tough encounter and a decent field test for the build, but he didn't use a lot of his tattoos.  As it stood, his action economy required use of his Bonus Action to engage a tattoo.
Version 1.5: The players, now at full force: 10 characters at Level 13 VS 1 Level 18 Long Death Monk.  Taking no chances, the resident pyro cast instead Telekinesis, holding Jedrek aloft and restraining him.  As Telekinesis is a contest of checks, not saves, Jedrek's Diamond Soul (proficiency in all Saving Throws) doesn't engage.  Good job party!  However, because of one small wording technicality in Jedrek's build language...he wasn't entirely shut down.  He still had access to ALL of his Weave, so every round he'd struggle against the Telekinesis (fail), then spend a Bonus Action to engage a spell that was laced onto him.  It was a "chip damage" fight; still interesting and dangerous, but felt off somehow.  It also took a long time.  They killed him and burned the body (evidence), and felt good about avenging their ally.

Future Adjustments: We finally figured out what was bugging me.  Engaging the tattoos can still be a Bonus Action, but I propose a few limiting factors.  Certain on 1 and 2, entertaining 3 and 4.
1) He has to touch the tattoo, which requires movement.  If he's restrained, he can't do that.  Telekinesis should have shut him down completely.  It's the anti-monk spell!
2) There should be a Ki cost to engage the spell.  Either Spell Level = Ki Points spent or 1/2 Spell Level (rounded up) = Ki Points spent.  Cantrips are always 1 Ki Point.
3) I'm considering a spell level limitation.  Like no spells above 7th...  Then again, even with a 20th level monk, using 9 Ki to cast that crazy Meteor Swarm that others at my level can also crank out ...as a Bonus Action...  Yeah, no.  We're limiting this crap.  No 8th or 9th level spells.  7th I MIGHT be okay with.  We'll play with it.
4) The Runes he's burned take up attunement slots, or 1/2 an attunement slot.  They take a lot to get, including cost and training (100 days, remember), but they *are* permanent; so someone with a lot of time and resources can add on Runes easily.  They already have a maximum of 3 Runic Augments before their body can't take the strain anymore, but after that we've got Bracers of Defense, a Ring of Protection, and a Cloak of Protection (a total +4 AC, and a total +2 to all saves).  With Runes that make your Martial Arts 1d12 (instead of 1d10), allow you to Hunter's Mark, and others that grant you Sneak Attack for Ki...  Don't want anyone to get too beefy too fast.
Why?: Action economy is too far broken.  He can be a better wizard than a wizard, and still PUNCH REALLY HARD.
Is the Blackweave dead?  Nah.  But it requires more tweaking as a subclass.  Monks have A LOT of options already, so it may serve better in another class (Ranger could be interesting), open-ended to all classes (needs some secrecy), or needs a few more limitations/refinement.

Core Concept: The Daughters of Syn had been a consistent villain group all throughout campaign 2 on Tuesdays, and I'm a big fan of using common mythos and turning it on its head.  In this case, we're using the Seven Deadly Sins as our model.
  "Sly" is Sloth.  Laid back and lazy, this knight doesn't want to do much, instead opting for her familiar, Freya, to do most tasks for her.  But for all her laziness, if ever you were to hurt Freya, or try to hurt her more severely, she would finally show you her true power - frightening and efficient, she'd like to end the fight as soon as possible, so she can return to her nap.

Encounters and Impressions:  Sly was my absolute favorite side villain.  Every moment the party encountered her, they fell in love with her dry wit and lack of commitment.  She would often show up on the outskirts of a battle (showing that she was always watching for her mistress, Syndrosa), smoking a pipe and giving raucous commentary of the fight, quick to crack jokes or just shrug at veiled threats.  In fact, the first time she met the group, she helped most of them escape the Underdark (I wonder if that endeared her to them a bit).  She was really just gathering information on them at that point, but she really didn't care either way, so killing them would be boring.

Fight 1: The first real encounter with Sly involved the group trying to rescue a little girl trapped in the Underdark.  Sly had an amulet on her person with a soul trapped inside (but the party didn't know that, only that she had a nice amulet, it looked valuable).  The party turned into bugs and snuck into her room, while others tried to deal with Sly's partner, an Oathbreaker Paladin named Naz (Pride).  For most of the fight, the party simply kept Sly occupied as she played with them, always at the edge of caring.  It wasn't until Naz was killed that Sly began to show her true ferocity.  Sly's first boon involves Freya; the fire fox fuses with her form, granting her lycanthropic strength and speed, as well as some Greater Invisibility.  Couple this with the fact that she's already a Level 16 Druid by now...and we've got something serious on our hands.  The party has A LOT of close calls, but manages to kill her, her form crumbling away in strips of...ice?

Fight 2: MUCH TIME PASSES and the group assault the now Queen Syndrosa in her OWN LAIR, and are promptly defeated.  Despite this Full Party Capture moment, the players were SO HAPPY to find out that Sly was indeed alive, and the version they killed was some sort of Clone or Simulacrum.  Heck, she even helps them escape the follow-up encounter (again: she doesn't really care).  But upon returning to the Fortress of Syn, now better prepared and after taking out Lust and taking some weapons from Wrath, they come across the real Sly.  She toys with them a little...and then the Paladin kills the fire fox.
  A Storm of Vengeance, and A LOT of near-death experiences (2 deaths total, but yay Revivify), a well-timed Power Word Kill drops Sly for good (strange, she could have totally Counterspelled, but she didn't...).  The party was the SADDEST I have seen them after this fight - they didn't want it to end!

Build and Boons
Class: Druid 20, Circle of the Moon (not that she cares)
Standard Boons: Boon of Fortitude (HP +50, Temp HP Ward +20), Boon Fey Step (Movement +30 as a Misty Step)
Boon of the Fire Fox - grants the Knight a familiar in the form of a fire elemental.  This familiar can heal you from a distance and merge with you to grant extra physical bonuses and a burst of fire damage at the end of every one of your turns.
Boon of the Sloth - Aura of Relaxation (little things don't stress you out, Calm Emotions at all times, advantage on saving throws against being charmed).  Social power of Disarm (disadvantage for foes to resist your relaxed charm).  You have entertaining and informative visions involving the people you observe; you no longer sleep, but napping opens these visions to your perfect memory.  Whether you act on them...is totally up to you.
Is Sly gone for good? - Mmm.  Tricky thought; death can get weird in D&D, and resurrection moreso.  Depends on where her soul ended up, and who cares enough to get her back.  I have a feeling her return would not be an unwelcome one, at least by a few PCs. ;)

Core Concept: A Circle Of Spores Druid hell-bent on conquering the world of beasts, controlled by the Mantle of the General; an ancient artifact forged by the Erlking of the Feywild.  Woof.  That's heavy.
  Anox was a product of the Erlking's choices; after the Archfey took the Helm of the Hunt, his purging Valkyries decimated the forces of Anox's predecessor, Gurlanik, the Fade.  To rectify this, Anox used his only son as a lure to other beings touched by Fey energy, and used his Circle to "seed" them with necrotic powers - and his control.  The resulting Treant-Hybrid army, coupled with the stolen Mantle's innate power to call nearby beasts under his command, Anox began preaching dominion over the Wilds beyond and amassing an army of druids who shared his ideals.
  His son, Darius, finally fed up with the loss of innocent life, formed his own pack of druids - attempting first a coup, then, when that failed, an all-out-assault upon his father, while freeing those that would be hunted for his dark purpose.  This betrayal marked the beginnings of Anox's madness, and the Mantle began to wrestle control away where it could.  Soon, the two entities became indistinguishable from one another, and the more Anox used the Mantle to augment his magic, the more it took from his mortal body...but he could not die as long as it was bound to him.

Boss Fight: This fight was...problematic.  There was a spore lair with infectious actions, a whole one on one duel where the PCs made strange tactical decisions and then got mad when they didn't work out.  And this was already a difficult campaign to run; huge mix of experience levels and play styles clashing all over the place.  If I were to run this in the now, 4 years wiser, I'm confident it would have been earned.  Honestly, I was still cutting my teeth on this one.
    There were personal stakes with a PC, which, in any other case, would have made this much more charged - the end result here...was confusing.  Misinterpretations of rules and descriptions, intentions, and flow; it got pretty awkward at times.
  What I WANTED to happen was a dynamic battle of shifting landscapes and status effects, a ticking time bomb of spore growth, and a possible moral quandary of tearing the mantle free to destroy it or don it yourself.  Instead, it was a jumbled mess with a few great moments (I'll give that to my seasoned players), tarnished by that constant confusion or rules-lawyering.  Different group, different time I guess.

The Build: Druid 18 [Circle of Spores], Warlock 2 [Great Old One*]
  The Warlock element of this build required a lot of homebrew.  This Great Old One ends up being the Mantle itself, a semi-sentient immortal object (one of my "Legacy Artifacts") that has held many hosts before, and draws power equally from the Shadowfell and the Feywild.  It had regenerative properties, negated by radiant damage, and the Mantle has its own suite of innate daily spells - it could even cast additional spell effects by placing levels of Exhaustion on its user.  
  At the time, I wasn't confident with custom Legendary Actions, but a second go would simplify Anox's action economy to that of a standard druid, and the Mantle would act with Legendary Actions of its own, illustrating the dichotomy of the two entities joined.  I could then drop better hints as to the artifact's nature, and I would allow the PCs to attack the Mantle directly, adding a puzzle to this duel of fates.
  As it stands, Anox - and myself - learned a lot from this boss fight, and we haven't seen the last of his character.  Perhaps a new version will retcon the old for us all. 

Anywho.
It's important to look back now and again.  To consider where our lessons lie, and what new adventures we can craft with them in mind.  Maybe I'll do this again - I've got plenty stashed in the mental basement.

If you enjoyed this, maybe say so, or check out the Patreon (it could always use some love).  
Stay warm out there.
-Adamus